टैक्नोलॉजी की मदद से, कैलम को पता चलता है कि वो असैसिन्स के समाज का एक वंशज है. वह समय में पीछे जाता है, ताकि वह एक दुष्ट संगठन को हराने के लिए अपने पूर्वजो से कौशल प्राप्त कर सके.टैक्नोलॉजी की मदद से, कैलम को पता चलता है कि वो असैसिन्स के समाज का एक वंशज है. वह समय में पीछे जाता है, ताकि वह एक दुष्ट संगठन को हराने के लिए अपने पूर्वजो से कौशल प्राप्त कर सके.टैक्नोलॉजी की मदद से, कैलम को पता चलता है कि वो असैसिन्स के समाज का एक वंशज है. वह समय में पीछे जाता है, ताकि वह एक दुष्ट संगठन को हराने के लिए अपने पूर्वजो से कौशल प्राप्त कर सके.
- पुरस्कार
- 2 जीत और कुल 2 नामांकन
Michael Kenneth Williams
- Moussa
- (as Michael K. Williams)
Denis Ménochet
- McGowan
- (as Denis Menochet)
कहानी
क्या आपको पता है
- ट्रिवियाThe film features the highest free fall performed by a stuntman in almost 35 years. The stuntman Damien Walters performed a free fall from the height of 125 feet (38 meters), which lasted almost 3 seconds with a 61 mph impact speed.
- गूफ़The practice of severing the ring finger for assassin initiates was discontinued by Altair, the master of the Brotherhood, sometime after its reformation in 1192. This was referenced in the video game Assassin's Creed II (2009), occurring decades before the events in the movie. As the movie and its sequels are original stories set within the same universe as the games, removing a finger to use the hidden blade has not been necessary for centuries by the time Aguilar joins the Brotherhood. Ubisoft and the Assassin's Creed franchise team explained that the Spanish branch of the Brotherhood to which Aguilar belongs still severs one finger per initiate to ensure the commitment and loyalty of each initiate to defend both the Brotherhood and the Creed. This is why Aguilar has the ring finger severed on only one hand despite wielding two hidden blades; the severance is no longer about function, but rather about symbolism and dedication.
- क्रेज़ी क्रेडिटThe end credits run for about 15 minutes, or 1/8 of the movie's whole run time.
- साउंडट्रैकEntrance Song
Written by Stephanie Bailey, Christian Bland (as Geary Christian Bland), Kyle Hunt, Alexander Maas and Nathaniel Ryan
Performed by The Black Angels
Courtesy of Blue Horizon Ventures
Arranged by The Orchard
फीचर्ड रिव्यू
Just for the record, to anybody saying that critics and fans watched 'Assassin's Creed' wanting to hate it that is an unfounded accusation and to me has very little truth to it.
Saying that says more about the person saying it, further proof that many people on this site have the inability to know the difference between fact and opinion and have to resort to personal attacks and conspiracy theories, which is not just childish but incredibly ignorant too. The "hate" actually comes from people who saw a lot of potential with the premise, which was a very interesting one, and was drawn in by the talent. It is the same as saying that it is cool to hate on films based on video games, people have acknowledged that not all of them are bad and there are decent ones out there, but there are some very bad ones too that it is understandable why they have a bad reputation.
'Assassin's Creed' is not quite down there with the worst films based on arcade/video games. It's better than the likes of 'House of the Dead', 'Doom' and 'Street Fighter', but considering the potential and talent it was a huge waste. Have not played the video games in a while but there is a recollection of them being a lot of fun and having a lot of intrigue value, the film doesn't come close to recreating that or immersing the viewer into the richly textured world or make one care for the characters.
There are strengths here. On the most part, 'Assassin's Creed' looks great, it's often beautifully and atmospherically shot and the scenery is magnificently majestic. Some of the action is dynamic and exciting, as well as efficiently choreographed. The cast generally are not well used and all have done much better.
However, Michael Fassbender is an enigmatic lead and Jeremy Irons makes much of relatively little and it shows his adeptness at playing villains (a prime example being Scar in 'The Lion King', one of the best voiced villains in the whole Disney canon).
Marion Cotillard has very little to do with poor dialogue and a severely underwritten character with no depth whatsoever, and she struggles to do anything with them. A waste of a very good actress. Charlotte Rampling and Brendan Gleeson are woefully underused, particularly Gleeson whose character is basically a plot device that could easily have been written out and nobody would have noticed.
In all fairness, it is hard to do much with what little they were given when the characters are so sketchily written and developed (little more than shallow clichés) and the script being the complete mess it turned out to be with so much being so vague and over-complicated it comes over as confused.
Story is not much better. It is both thin and tries to do far too much, also taking itself too seriously with a dark and bleak tone that just doesn't gel often. Pacing issues are abound, with scenes suffering from real tedium. Some of the editing in the action sequences is so shoddy it's almost incoherent. The music is monotone and intrusive and the direction is all over the place.
In conclusion, falls completely flat and does very little with its talent and potential which is one of the worst things a film can commit. 3/10 Bethany Cox
Saying that says more about the person saying it, further proof that many people on this site have the inability to know the difference between fact and opinion and have to resort to personal attacks and conspiracy theories, which is not just childish but incredibly ignorant too. The "hate" actually comes from people who saw a lot of potential with the premise, which was a very interesting one, and was drawn in by the talent. It is the same as saying that it is cool to hate on films based on video games, people have acknowledged that not all of them are bad and there are decent ones out there, but there are some very bad ones too that it is understandable why they have a bad reputation.
'Assassin's Creed' is not quite down there with the worst films based on arcade/video games. It's better than the likes of 'House of the Dead', 'Doom' and 'Street Fighter', but considering the potential and talent it was a huge waste. Have not played the video games in a while but there is a recollection of them being a lot of fun and having a lot of intrigue value, the film doesn't come close to recreating that or immersing the viewer into the richly textured world or make one care for the characters.
There are strengths here. On the most part, 'Assassin's Creed' looks great, it's often beautifully and atmospherically shot and the scenery is magnificently majestic. Some of the action is dynamic and exciting, as well as efficiently choreographed. The cast generally are not well used and all have done much better.
However, Michael Fassbender is an enigmatic lead and Jeremy Irons makes much of relatively little and it shows his adeptness at playing villains (a prime example being Scar in 'The Lion King', one of the best voiced villains in the whole Disney canon).
Marion Cotillard has very little to do with poor dialogue and a severely underwritten character with no depth whatsoever, and she struggles to do anything with them. A waste of a very good actress. Charlotte Rampling and Brendan Gleeson are woefully underused, particularly Gleeson whose character is basically a plot device that could easily have been written out and nobody would have noticed.
In all fairness, it is hard to do much with what little they were given when the characters are so sketchily written and developed (little more than shallow clichés) and the script being the complete mess it turned out to be with so much being so vague and over-complicated it comes over as confused.
Story is not much better. It is both thin and tries to do far too much, also taking itself too seriously with a dark and bleak tone that just doesn't gel often. Pacing issues are abound, with scenes suffering from real tedium. Some of the editing in the action sequences is so shoddy it's almost incoherent. The music is monotone and intrusive and the direction is all over the place.
In conclusion, falls completely flat and does very little with its talent and potential which is one of the worst things a film can commit. 3/10 Bethany Cox
- TheLittleSongbird
- 28 मई 2017
- परमालिंक
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Assassin's Creed: The IMAX Experience
- फ़िल्माने की जगहें
- El Chorrillo, Pechina, Almeria, Andalucia, स्पेन(ancient old town in desert)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $12,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $5,46,47,948
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,02,78,225
- 25 दिस॰ 2016
- दुनिया भर में सकल
- $24,06,97,856
- चलने की अवधि1 घंटा 55 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें