Kaliyugam 2064

Kaliyugam is a bold attempt at a dystopian Tamil film set in the year 2064, presenting a world in chaos where survival is the only goal. The story follows a woman, played by Shraddha Srinath, who must protect a young boy in a lawless, ruined society. While the film has an interesting premise and some engaging moments, the screenplay feels uneven and lacks the depth needed to fully connect with the audience. Shraddha Srinath delivers a strong and emotional performance, and Kishore adds intensity with his gritty role, but the overall impact is weakened by predictable storytelling and slow pacing. Visually, the film impresses with its cinematography and sound design, creating a believable post-apocalyptic atmosphere. Despite its flaws, *Kaliyugam* deserves credit for attempting something different in Tamil cinema.

' Kaliyugam' As the name is perfect for this movie. It gives us our future, how will 2064 be, how to survive in a world full of strife, greed and darkness. Increase in sin and chaos has been excellently depicted by the art director.

Good attempt as a debut director. Kishore, iniyan and shraddha have acted very well and stayed in their character throughout the film. As the first half gets us into the story, the second half is interesting and thrilling. Art direction and director's touch in certain scenes are extemely good. Felt like seeing a English Hollywood movie in tamil . Kudos to Pramod Sundar and the entire team.

About halfway through Kaliyugam 2064, I caught myself holding my breath. Not because of a jump scare or a loud moment-but because of silence. That tense, eerie silence where a character is just trying to survive, and you're right there with them. That's what this film does so well. It doesn't just show you a dystopian future-it traps you in it.

What struck me most wasn't just the scarcity of resources, but the scarcity of trust, hope, and humanity. You could feel the weight of every choice the characters had to make. The film doesn't scream its message-it lets the atmosphere, the eyes of its characters, and the emptiness of its world speak for it.

Visually, it's haunting. The color palette, the barren landscapes, the abandoned spaces-they all tell their own stories. And the music? It doesn't overpower. It lingers. Just like the film.

Kaliyugam 2064 isn't a film you just watch. It's a film you survive alongside the characters. It's raw, bold, and incredibly timely. This is the kind of cinema we need more of.

Just finished *Kaliyugam*, and I'm stuck somewhere between really liking it and feeling a bit underwhelmed. The concept is brilliant-finally, a film that dares to explore dystopia in Indian cinema without falling back on clichés. The visuals are top-notch, and the world feels gritty and real. Shraddha Srinath is the heart of the movie; her performance is solid and keeps you emotionally invested.

But honestly, the film feels like it holds back when it should've gone all in. The tension builds up beautifully but never quite explodes the way you expect. Some moments feel stretched out, and a few scenes don't hit as hard emotionally because you don't fully connect with the side characters. The second half definitely improves things, but by then, you're already halfway detached.

*Kaliyugam* is a bold attempt and visually stunning, but if the writing had gone a bit deeper and the pacing tighter, it could've been unforgettable. Worth a watch for its ambition, but don't expect it to leave you completely satisfied.

Just watched Kaliyugam, and honestly, it was a letdown. The concept had potential, but the execution just didn't work for me. The pacing was painfully slow, and by the time something interesting happened, I had already lost interest.

The movie tries really hard to feel deep and meaningful, but it ends up being mostly style over substance. The world-building looks nice, sure, but there's barely any emotional connection with the characters. Even Shraddha Srinath, as good as she usually is, felt wasted in a script that didn't give her much to work with.

It's one of those films that wants to say something important but never really gets there. You walk out feeling like you waited two hours for a point that never came. If you're looking for something engaging or impactful, this isn't it.