Câinele Japonez

The Edinburgh International Film Festival brochure pointed out how similar this film is to the work of the great Ozu; in its quietness and framing. A slowly paced film, with a focus on character and the small interactions and motions that are part of everyday life. Although the poster shows both father and son, the film is focused on the father, Costache, played with tender stubbornness Rebengiuc.

Opening slowly as Costache, doesn't so much rebuild his life, he just gets on with things, after a flood has destroyed his home. It feels as though the film will increase in drama as the story of his estranged son emerges, but the return of his son and his family is handled with such care, that the film is able to become a gentler study of restrained paternal relationships. Any initial misconception that Costache is unable to connect emotionally to others is refuted as he embraces his new role as grandfather.

Jurgiu depicts Costache's village life without resorting to any clichés or easy comedic targets and finds the same sort of beauty in interiors and quiet streets as Ozu could. It may sound as if this film isn't really about anything in particular and to a certain extent that is true, but it more that makes up for that in its sincerity and heart.