Nicholas Meyer(I)

His shooting screenplay for Star Trek II - L'ira di Khan (1982) was subtitled "The Undiscovered Country", which was what William Shakespeare's "Hamlet" called death. This was a metaphor for Spock, who dies in that film. The film was ultimately renamed "The Wrath of Khan" by Paramount executives. When he was signed on to help create Rotta verso l'ignoto (1991), he again used the subtitle, but this time it was a metaphor for future peace between two warring galactic superpowers, loosely based on the end of the cold war unfolding at the time.

[on L'uomo venuto dall'impossibile (1979)] One of my original conceptual things about the Ripper was that of an exceedingly handsome, elegant man. Wells, next to him, was a runt who wore glasses, and so forth. The Ripper had an image of tremendous power and potency, not just as a menace, but as an attractive, seductive human being. What was it that women went for him?