Petr Schulhoff(1922-1986)

Eyewitnesses say that, aware of the problematic times in the 70's, he deliberately included some extremely problematic scene in the scripts of his comedies in advance, which he knew in advance that the watchful eye of the censor (most often in the person of the central dramaturge of the Barrandov Film Studio Ludvík Toman) would ban . He was therefore almost guaranteed that no one would interfere with the rest of the script.

[on Cara, siamo una buona coppia? (1975)]: "With this film I am not attacking the development of technology, but rather human convenience. Let us not become slaves to technology. Let us keep the possibility of search and discovery in our lives - for example, of the human heart. Love is a value worth spending enough time on, worth fighting for."