Tjuvheder
- 2015
- 1h 32min
VALUTAZIONE IMDb
7,0/10
1836
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe story of two women's newfound friendship and their struggles in Stockholm underworld.The story of two women's newfound friendship and their struggles in Stockholm underworld.The story of two women's newfound friendship and their struggles in Stockholm underworld.
- Regia
- Sceneggiatura
- Star
- Premi
- 6 vittorie e 2 candidature
Tomasz Neuman
- Boris
- (as Tomas Neumann)
Jan Mattson
- Christer Korsbäck
- (as Jan Mattsson)
Alfons Holmgren
- Leon
- (as Alfons Holmberg)
Trama
Lo sapevi?
- QuizMany of the actors and extras in the film are in fact venders of the Swedish street magazine Situation STHLM.
- Citazioni
Christer Korsbäck: One more word from you and I will gut you, fucking pussy.
- ConnessioniReferenced in Una parte di te (2024)
Recensione in evidenza
The film, set in the underbelly of Stockholm, Sweden, attempts to depict the harsh realities of homelessness and drug addiction; however, it falls drastically short in its execution. The resulting portrayal is a bleak, dreary, and, ultimately, unengaging experience that does a disservice to the complex issues it attempts to address.
The movie primarily focuses on a group of individuals who are struggling with substance abuse, living on the fringes of society, and engaging in illicit activities to survive. The plot meanders aimlessly, devoid of any clear narrative structure or character development, leaving the audience to witness a series of unfortunate events with no discernible purpose or resolution. This lack of direction makes it nearly impossible to invest emotionally in the characters' struggles or find a sense of meaning in their stories.
The acting, regrettably, does not elevate the material. Performances often feel wooden and one-dimensional, as the actors fail to capture the depth and nuance required to portray the complex emotions that come with addiction and homelessness. It becomes increasingly difficult to empathize with or connect to any of the characters on screen, which only serves to further distance the viewer from the film's intended message.
Moreover, the movie's portrayal of homelessness and drug addiction is reductive and superficial. Instead of exploring the root causes and systemic issues that contribute to these problems, the film chooses to wallow in misery without providing any context or insight. This surface-level treatment of such weighty themes ultimately undermines the film's potential to raise awareness or generate empathy for those who are affected by these issues in real life.
In terms of cinematography and direction, the movie offers little to redeem itself. The bleak visuals, while perhaps intended to convey the grim realities of life on the streets, become monotonous and tiresome after a while. Similarly, the direction lacks any semblance of creativity or innovation that might have provided some respite from the unrelenting despair on screen.
In conclusion, this movie squanders its potential to shed light on important social issues by presenting a disjointed narrative, lacklustre performances, and an oversimplified portrayal of homelessness and addiction. Its utter lack of redeeming qualities makes it difficult to recommend this film to anyone looking for a compelling and insightful viewing experience. It is a bleak, unsatisfying film that leaves the audience feeling as empty and desolate as the lives of its characters.
The movie primarily focuses on a group of individuals who are struggling with substance abuse, living on the fringes of society, and engaging in illicit activities to survive. The plot meanders aimlessly, devoid of any clear narrative structure or character development, leaving the audience to witness a series of unfortunate events with no discernible purpose or resolution. This lack of direction makes it nearly impossible to invest emotionally in the characters' struggles or find a sense of meaning in their stories.
The acting, regrettably, does not elevate the material. Performances often feel wooden and one-dimensional, as the actors fail to capture the depth and nuance required to portray the complex emotions that come with addiction and homelessness. It becomes increasingly difficult to empathize with or connect to any of the characters on screen, which only serves to further distance the viewer from the film's intended message.
Moreover, the movie's portrayal of homelessness and drug addiction is reductive and superficial. Instead of exploring the root causes and systemic issues that contribute to these problems, the film chooses to wallow in misery without providing any context or insight. This surface-level treatment of such weighty themes ultimately undermines the film's potential to raise awareness or generate empathy for those who are affected by these issues in real life.
In terms of cinematography and direction, the movie offers little to redeem itself. The bleak visuals, while perhaps intended to convey the grim realities of life on the streets, become monotonous and tiresome after a while. Similarly, the direction lacks any semblance of creativity or innovation that might have provided some respite from the unrelenting despair on screen.
In conclusion, this movie squanders its potential to shed light on important social issues by presenting a disjointed narrative, lacklustre performances, and an oversimplified portrayal of homelessness and addiction. Its utter lack of redeeming qualities makes it difficult to recommend this film to anyone looking for a compelling and insightful viewing experience. It is a bleak, unsatisfying film that leaves the audience feeling as empty and desolate as the lives of its characters.
- David-Loves-Movies
- 10 ago 2024
- Permalink
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
Botteghino
- Lordo in tutto il mondo
- 482.142 USD
- Tempo di esecuzione1 ora 32 minuti
- Colore
- Proporzioni
- 1.85 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was Tjuvheder (2015) officially released in Canada in English?
Rispondi