A Varsavia, una coppia di sorelle sirene viene adottata in un cabaret. Mentre una cerca l'amore con gli umani, l'altra ha fame di cenare con la popolazione umana della città.A Varsavia, una coppia di sorelle sirene viene adottata in un cabaret. Mentre una cerca l'amore con gli umani, l'altra ha fame di cenare con la popolazione umana della città.A Varsavia, una coppia di sorelle sirene viene adottata in un cabaret. Mentre una cerca l'amore con gli umani, l'altra ha fame di cenare con la popolazione umana della città.
- Premi
- 22 vittorie e 18 candidature
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- QuizThe mermaid tails were six feet long and weighed over fifty pounds. According to Agnieszka Smoczynska, they were designed to look "repulsive" and different from depictions like Splash - Una sirena a Manhattan (1984) or H2o (2006).
- BlooperEven though the drummer had his thumb bitten off by Golden, both of his thumbs are visible in the wedding scene when he is playing with the life preserver.
- Citazioni
Zlota: [singing] It's been a long time since I've felt this lonesome/It can't be the weather though it's pretty loathsome/At night I get cravings that aren't quite wholesome/It's been a long time since I've felt this lonesome/It can't be the weather though it's pretty loathsome/At night I get cravings that aren't quite wholesome/Because I'm sad and so are you/Now he's sad cause we're sad too/You're all sad and they're all sad/We're all gloomy as hell/Bid farewell to cheerful smiles/Dark thoughts eat me up alive/I'm a fly facing winter/Heavy, black, and sleepy/Because I'm sad and so are you/Now he's sad cause we're sad too/You're all sad and they're all sad/We're all gloomy as hell/You're all sad and they're all sad/We're all gloomy as hell
- Curiosità sui creditiThe opening credit sequence is an animation by the painter Aleksandra Waliszewska, known for her nightmare-inducing takes on fairy-tale characters-our first indication that we are in waters far from Disney. Skulls bob around the mermaid sisters as they swim sinuously about their aquatic serial killers' den, their sweet singing voices and long gold and raven locks in stark contrast to their grim surroundings.
- ConnessioniFeatured in Off the Hook: The Making of 'The Lure' (2017)
- Colonne sonoreSyreni Calling
Music by Barbara Wronska
Lyrics by Zuzanna Wronska
Performed by Marta Mazurek, Michalina Olszanska & Barbara Wronska
Most of the musical numbers and dancing were well-choreographed, but a couple of sequences didn't quite gel. A bit less time is devoted to developing the most critical romance of the movie than it needed, which unfortunately lets a bit of air out of the ending.
The visuals and effects were surprisingly good. The mermaid tails especially were well done, with details such as broken scales and scars adding chilling realism. Be warned that some parts of the movie are a bit gruesome; the critical difference between traditional mermaids and their darker cousins is made clear on several occasions. Younger children probably shouldn't watch.
There are quite a few movies written around mermaids, but this is the first I have seen about sirens. Hollywood, take note-"The Lure" demonstrates that this area has a lot of dramatic potential.
All in all, definitely worth a one-time watch.
- ElectronWrangler
- 2 dic 2016
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- 魅惑人魚姬
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Botteghino
- Lordo Stati Uniti e Canada
- 101.657 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.370 USD
- 5 feb 2017
- Lordo in tutto il mondo
- 108.846 USD
- Tempo di esecuzione1 ora 32 minuti
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- 2.39 : 1