Killers of the Flower Moon

This is a very good movie, but it could have been told in an hour less. The material is grim, but I guess that's part of the story telling.

I can't understand why this couldn't have been done in 2 hours. The plot didn't warrant it, and the acting almost held it up. But we could all see where this was going.

The court sequence was way too long and muddled the nature of the story. Is it an historical account of what happened to these poor people? Is it a story about duplicity in a relationship? Is it about greed and human nature? Is it about psychopaths? Or a court room drama?

For me, it would have been an 8/10 if it didn't drag on unnecessarily. Great acting. Great story. Just drawn out.

Like every Scorsese film featuring Leo DiCaprio and Robert De Niro, it's a unique experience. It's a production whose length can be overwhelming; it's slow and full of dialogue, so it's not for anyone who doesn't appreciate that. In my opinion, it's not my favorite by the director or the actors. Personally, I think it's a story about an ethnic group, but one where the focus is never on them. It's sustained by the performances of DiCaprio and De Niro, supported by a great Lilly Gladstone. Then, of course, it has top-notch design, costumes, direction, script, and acting. Recommendable, yes, but perhaps going to the theater won't allow you to fully enjoy it, given the above.

Before a premiere, I try to steer clear of trailers, reviews and other opinions. I just got a glimpse of a few loving reviews. Nevertheless, my expections were high because of Scorsese, De Niro and DiCaprio.

I hoped for a masterpiece, but this isn't one. It's a very well told story, that's historically relevant. The greed motives are very well implemented in this movie. As expected, the acting and casting was pretty good. De Niro was great, Leo did well (although at some points it felt a little over the top), but Lily Gladstone stole the show for me as Mollie. There's only one big BUT that doesn't make me give this a higher rating.

I looked a LOT at my watch too see how long was left. I don't mind slow pacing, but this is just too much. There's not really a point for this to be 3.5 hours long. In The Irishman I wasn't bothered by it. Now I was. Every other aspect was good - but not great.

The costumes, camerawork and scenery were lovely.

First things first. There is absolutely no need for this to be 3½ hours long. It follows the story of the ambitious "Ernest" (Leonardo DiCaprio) who arrives at the Osage home of his venal uncle "King" (Robert De Niro) who encourages him to ingratiate himself with the wealthy, indigenous, population. He ends up meeting and driving the independent, no-nonsense, "Mollie" (Lily Gladstone) and after a while she starts to fall for his charismatic charms, they fall in love and marry. Though he does love his wife, "Ernest" proves to be a rather fickle and violent man who loves money more - and at the behest of his outwardly benign relative starts to implement schemes that will ensure the rights to the oil well heads move swiftly - and frequently brutally - to more "suitable" owners. This sudden spate of "accidents" and killings and the prudent action of the fearful local council alert the authorities in Washington who despatch a team of FBI agents led by the tenacious "White" (Jesse Plemons) to get to the bottom of things. Perhaps the "King" house of cards might now be becoming just a but precarious? DiCaprio is very effective here. He plays well a man who juggles internal demons and conflicts as he is cleverly manipulated by an on-form, slightly menacing, De Niro. It's Gladstone who steals the show for me, though. She plays the role of the decent and loving - but shrewd and savvy - "Mollie" strongly. As she starts to become a victim of her husband's avarice she exudes a sense of desperation that is both pleading and dignified and her struggle is potently illustrative of just how far the "white" man was prepared to go to get to - and keep - the money. The film is beautifully shot with a plausible look that helps generate for the audience a true sense of just how this outwardly genteel and civilised society was really anything but and the writing clearly interweaves the clandestine aspects of the the plot with the more noble ones. Perhaps sacrilegious to say, though, but at times it does really drag. I felt it could easily have lost an hour, condensed the story and immersed us more quickly in the characterisations and not really suffered. It's a good film, but it's not a great film and unlike Scorsese's far better "Irishman" (2019), I'm not at all sure I will rush to watch it again.

I never heard of Osage Nation before this. It was a 3 hour 26 minute education not just of the oil wealth and of American Indian culture but of sensitive filmmaking crafted so beautifully Michelangelo would have cried. Lily Gladstone has a classic, timeless, renaissance Madonna face and Robbie Robertson's tender score embellished her sensitive performance perfectly. True to Mr Scorsese's form, it ran so long and needed a deus ex machine ending that while innovative, brought (for me) the film to a premature end. Dessert was served too soon. Otherwise, I could not say a bad thing about this show. Mr Scorsese, I wish you a very long life so you can continue your master craft for mere mortals like me for a long time to come.