VALUTAZIONE IMDb
6,7/10
1439
LA TUA VALUTAZIONE
Un cortometraggio sugli eventi a seguito di un omicidio.Un cortometraggio sugli eventi a seguito di un omicidio.Un cortometraggio sugli eventi a seguito di un omicidio.
Michele Carlyle
- Woman
- (non citato nei titoli originali)
Stan Lothridge
- Cop
- (non citato nei titoli originali)
Russ Pearlman
- Dead Son
- (non citato nei titoli originali)
Pam Pierrocish
- Mother
- (non citato nei titoli originali)
Kathleen Raymond
- Woman
- (non citato nei titoli originali)
Dawn Salcedo
- Woman in Tank
- (non citato nei titoli originali)
Clyde Small
- Father
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizAvailable on the Criterion release of Eraserhead (1977).
- ConnessioniEdited into Lumière and Company (1995)
Recensione in evidenza
"Premonitions Following An Evil Deed" is a fifty-five second long film produced by David Lynch as part of a collection that celebrated the Lumiere brothers invention of the first motion picture camera.
Lynch and his thirty-nine colleagues were commissioned to use the original wooden camera and make a movie akin to the kind the Lumiere brothers made. The filmmakers weren't allowed to use sound, and the films they produced had to use a continuous shot captured in no more than three attempts.
I've watched the movie a few times now and I can't really say what it's about. We see three policemen coming to the body of a man lying on the ground. A woman - perhaps the man's widow - is shown at home, turning her head perhaps in response to a phone call or house call of the police telling her what has happened. Then we cut to some kind of underground laboratory where we see a nude woman in a glass tube while scientists work around her. Then we go back to the woman's house, where she receives the cops we saw at the beginning, and then it's over.
What was the deal with the nude woman in the lab? I didn't understand that part.
I don't know what to say about this one. I guess it succeeds at what it was supposed to do. It's only really of interest to diehard Lynch fans, though, like the previous short of his I saw, "The Cowboy and the Frenchman", which was also made on commission.
Since Lynch made this on commission for other people's projects, you can't critique them too harshly. But nor can you really recommend them.
Lynch and his thirty-nine colleagues were commissioned to use the original wooden camera and make a movie akin to the kind the Lumiere brothers made. The filmmakers weren't allowed to use sound, and the films they produced had to use a continuous shot captured in no more than three attempts.
I've watched the movie a few times now and I can't really say what it's about. We see three policemen coming to the body of a man lying on the ground. A woman - perhaps the man's widow - is shown at home, turning her head perhaps in response to a phone call or house call of the police telling her what has happened. Then we cut to some kind of underground laboratory where we see a nude woman in a glass tube while scientists work around her. Then we go back to the woman's house, where she receives the cops we saw at the beginning, and then it's over.
What was the deal with the nude woman in the lab? I didn't understand that part.
I don't know what to say about this one. I guess it succeeds at what it was supposed to do. It's only really of interest to diehard Lynch fans, though, like the previous short of his I saw, "The Cowboy and the Frenchman", which was also made on commission.
Since Lynch made this on commission for other people's projects, you can't critique them too harshly. But nor can you really recommend them.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Предчувствие действий зла
- Luoghi delle riprese
- Sunland, Los Angeles, CA 91040, Stati Uniti(D'Amico Farm)
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 minuto
- Colore
- Proporzioni
- 4:3
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