VALUTAZIONE IMDb
6,3/10
23.311
LA TUA VALUTAZIONE
Un comico e sua moglie, cantante d'opera, hanno una figlia di due anni con un dono sorprendente.Un comico e sua moglie, cantante d'opera, hanno una figlia di due anni con un dono sorprendente.Un comico e sua moglie, cantante d'opera, hanno una figlia di due anni con un dono sorprendente.
- Premi
- 19 vittorie e 58 candidature
Angèle
- Special Guest
- (as Angèle Van Laeken)
- …
Trama
Lo sapevi?
- QuizWhile the stars of the film perform most of their own live singing, Marion Cotillard's operatic vocals are dubbed by Catherine Trottmann.
- Citazioni
[first lines]
The Narrator: Ladies and gentlemen, we now ask for your complete attention. If you want to sing, laugh, clap, cry, yawn, boo or fart, please, do it in your head, only in your head. You are now kindly requested to keep silent and to hold your breath until the very end of the show. Breathing will not be tolerated during the show. So, please take a deep, last breath right now. Thank you.
- Curiosità sui creditiThere is an additional scene that plays over the end credits.
- ConnessioniFeatured in MsMojo: Top 10 Best Musical Movies of 2021 (2021)
- Colonne sonoreSo May We Start
Written by Ron Mael, Russell Mael and Leos Carax
Performed by Sparks, Adam Driver, Marion Cotillard and Simon Helberg
Recensione in evidenza
The art pop band Sparks (Ron and Russel Mael), recently featured in Edgar Wright's documentary, The Sparks Brothers, has crafted a bizarre, surreal, and all-too-real film that explores the consequences of fame, child exploitation, male stupidity, and marriage. It's a smart rarity, where the characters mostly communicate in song and nothing is safe, not even love.
Henry (Adam Driver), a successful comedian, loves opera singer, Ann (Marion Cotillard, but fame for both is a deal breaker. You've heard it all before (A Star is Born anyone?), and to some extent the disintegration of their marriage is close to a cliché, but their singing and the lack of haranguing or bitter tirades almost has you thinking they can make it. To those adoring fans on the outside, their union is perfect.
With the entrance of their baby girl, Annette, and Ann's exit, Henry is left to his own devices relying on others to care for her but becoming obsessive about Annette's gifted voice. It doesn't take him long to exploit her talent around the world and for the fates to catch up with him.
Driver is particularly effective as a towering talent (his comedy act is unusually odd and bright), brooding and elusive. Although Cotillard could always carry a picture (La Vie En Rose), this one belongs to Driver, whose character is as charged as his performance.
Special credit must be given to the Sparks bros, who wrote the story and the music, evocative of Brian De Palma's Phantom of Paradise and any Sondheim, and to French director Leos Carax, whose off-center vision helps Annette be a wildly different take on the ravages of fame and the hubris of men.
Slow and eccentric for some, just quirky and insightful for others, this romance is artistically enough for anyone wanting a worthy drama that happens to be a musical.
Henry (Adam Driver), a successful comedian, loves opera singer, Ann (Marion Cotillard, but fame for both is a deal breaker. You've heard it all before (A Star is Born anyone?), and to some extent the disintegration of their marriage is close to a cliché, but their singing and the lack of haranguing or bitter tirades almost has you thinking they can make it. To those adoring fans on the outside, their union is perfect.
With the entrance of their baby girl, Annette, and Ann's exit, Henry is left to his own devices relying on others to care for her but becoming obsessive about Annette's gifted voice. It doesn't take him long to exploit her talent around the world and for the fates to catch up with him.
Driver is particularly effective as a towering talent (his comedy act is unusually odd and bright), brooding and elusive. Although Cotillard could always carry a picture (La Vie En Rose), this one belongs to Driver, whose character is as charged as his performance.
Special credit must be given to the Sparks bros, who wrote the story and the music, evocative of Brian De Palma's Phantom of Paradise and any Sondheim, and to French director Leos Carax, whose off-center vision helps Annette be a wildly different take on the ravages of fame and the hubris of men.
Slow and eccentric for some, just quirky and insightful for others, this romance is artistically enough for anyone wanting a worthy drama that happens to be a musical.
- JohnDeSando
- 6 ago 2021
- Permalink
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Món Quà Bất Ngờ
- Luoghi delle riprese
- Münster, Renania Settentrionale-Vestfalia, Germania(LVM Headquarters at Kolde-Ring 21, as LAPD exteriors)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 16.562.200 € (previsto)
- Lordo in tutto il mondo
- 3.688.261 USD
- Tempo di esecuzione2 ore 21 minuti
- Colore
- Proporzioni
- 1.85 : 1
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