VALUTAZIONE IMDb
7,6/10
36.224
LA TUA VALUTAZIONE
Una coppia che sta attraversando il divorzio deve fare squadra per ritrovare il figlio che è scomparso durante una delle loro liti furibonde.Una coppia che sta attraversando il divorzio deve fare squadra per ritrovare il figlio che è scomparso durante una delle loro liti furibonde.Una coppia che sta attraversando il divorzio deve fare squadra per ritrovare il figlio che è scomparso durante una delle loro liti furibonde.
- Candidato a 1 Oscar
- 28 vittorie e 49 candidature totali
Andris Keiss
- Anton
- (as Andris Keysh)
Natalya Potapova
- Zhenya's Mother
- (as Nataliya Potapova)
Trama
Lo sapevi?
- QuizOfficial submission of Russia for the 'Best Foreign Language Film' category of the 90th Academy Awards in 2018. However, the movie lost out to the Chilean transgender drama, Una donna fantastica (2017).
- BlooperWhile the plot sets in late 2012, Sleepwalking by Bring Me The Horizon, that was released in 2013, plays in the car.
- ConnessioniFeatured in The 75th Annual Golden Globe Awards (2018)
- Colonne sonoreSilouans Song
Composed by Arvo Pärt
Recensione in evidenza
Severe and un-melodramatic portrayal of a couple who's at each other's throats and are desperately finalizing their divorce, where both are reluctant in looking out for the best interest of their 12-year-old kid, whom they consider more of a hindrance to their own separate paths to happiness.
It's the feeling of awfulness and marvel in seeing the beauty and the nastiness of humanity that occur in such a cold, stark environment which leaves a lasting impression to the viewer. With shot compositions that never for once looks contrived, effortless in photographing the quotidian scenery, it overwhelms, suffocates and unnerves the viewer by reminding that the onset of the winter season also reflects the bitterness the kid will have to face with the disintegration of his only known family.
The film focuses on Maryana Spivak (Zhenya) and Aleksey Rozin (Boris), who both did a stupendous job in capturing the varying degrees of steely disposition that overflows on such narcissists, way too consumed of the image that they would project to the people that surround them yet lacks the basic empathy to their own flesh and bone, Alyosha (Matvey Novikov in a heart-wrenching performance). But such uncaring demeanor as parents contrasts with that of the upright response shown by a few of their friends and complete strangers in manifesting the spirit of volunteerism. Decent performances from the supporting actors, apart from Natalya Potapova playing Zhenya's mother who almost steals the film with just a single scene in displaying such dreadfulness that rivals that of the irreconcilable couple, each and every one of them gives subdued and understated performances that's much like the way the strategically used minimalist musical score penetrates the background, and the way those inconspicuous brooding scenes transitions to yet another inconspicuous brooding scene.
Zvyagintsev's decision to end the film in an ambiguous note, just utter perfection, not wanting to petrify or shatter the viewer's feelings after witnessing a tragic story. It's the speculation of what the ending signifies that leaves a much more menacing outcome, and it should, (At least, that's how it worked for me), for people to have a more determined resolve in withstanding hardships that life has to offer because, the thing is, the end will never be nigh.
--A-plus--
It's the feeling of awfulness and marvel in seeing the beauty and the nastiness of humanity that occur in such a cold, stark environment which leaves a lasting impression to the viewer. With shot compositions that never for once looks contrived, effortless in photographing the quotidian scenery, it overwhelms, suffocates and unnerves the viewer by reminding that the onset of the winter season also reflects the bitterness the kid will have to face with the disintegration of his only known family.
The film focuses on Maryana Spivak (Zhenya) and Aleksey Rozin (Boris), who both did a stupendous job in capturing the varying degrees of steely disposition that overflows on such narcissists, way too consumed of the image that they would project to the people that surround them yet lacks the basic empathy to their own flesh and bone, Alyosha (Matvey Novikov in a heart-wrenching performance). But such uncaring demeanor as parents contrasts with that of the upright response shown by a few of their friends and complete strangers in manifesting the spirit of volunteerism. Decent performances from the supporting actors, apart from Natalya Potapova playing Zhenya's mother who almost steals the film with just a single scene in displaying such dreadfulness that rivals that of the irreconcilable couple, each and every one of them gives subdued and understated performances that's much like the way the strategically used minimalist musical score penetrates the background, and the way those inconspicuous brooding scenes transitions to yet another inconspicuous brooding scene.
Zvyagintsev's decision to end the film in an ambiguous note, just utter perfection, not wanting to petrify or shatter the viewer's feelings after witnessing a tragic story. It's the speculation of what the ending signifies that leaves a much more menacing outcome, and it should, (At least, that's how it worked for me), for people to have a more determined resolve in withstanding hardships that life has to offer because, the thing is, the end will never be nigh.
--A-plus--
- Ron_Solina
- 23 set 2018
- Permalink
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Нелюбов
- Luoghi delle riprese
- Shodnenskiy Kovsh, Yuzhnoye Tushino District, Mosca, Russia(woods and river)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 566.356 USD
- Fine settimana di apertura Stati Uniti e Canada
- 30.222 USD
- 18 feb 2018
- Lordo in tutto il mondo
- 3.928.358 USD
- Tempo di esecuzione2 ore 7 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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