VALUTAZIONE IMDb
6,8/10
2354
LA TUA VALUTAZIONE
Un progetto sperimentale realizzato dal regista Abbas Kiarostami negli ultimi tre anni della sua vita.Un progetto sperimentale realizzato dal regista Abbas Kiarostami negli ultimi tre anni della sua vita.Un progetto sperimentale realizzato dal regista Abbas Kiarostami negli ultimi tre anni della sua vita.
- Premi
- 3 vittorie totali
Trama
Lo sapevi?
- QuizThis is Abbas Kiarostami's final work. It consists of 24 four-and-a-half-minute shorts shot by Kiarostami over a period of three years. The style has been described as fixed tableau with the use of blue screen.
- ConnessioniFeatured in Film: The Living Record of Our Memory (2021)
Recensione in evidenza
As contemplative as watching ocean waves eternally roll in, as soaring as listening to Ave Maria while pigeons flutter about, as mysterious as daydreaming while clouds billow past, and as somber as watching death come from nowhere to stop life in its tracks, yet knowing that nature will simply continue on. Maybe these are the images an artist nearing his own end has in mind, an homage to the beauty of life in its simple, underappreciated moments, and at the same time, a calm acceptance of death.
I loved the concept of this film, particularly in the life that Kiarostami breathed in to Bruegel's Hunters in the Snow in frame 1, but found that what followed a little too similar, and that not knowing the source of inspiration for 21 of the next 23 frames to be a detractor. It's certainly immersive and meditative, demanding patience of the viewer or a frame of mind that allows simple images to wash over oneself, but at 114 minutes, nearly 5 minutes a frame, it seemed too much for me.
The final frame, containing the kiss between Teresa Wright and Dana Andrews at the end of The Best Years of Our Lives (1946) played in very slow motion on a computer screen, while trees sway outside in the darkness, is stirring, powerful stuff. The only thing we have are these moments when we cling to one another, and if only we could slow them down. I just wish the music selected for this piece was something more poetic than Andrew Lloyd Weber's Love Never Dies, and that it hadn't taken so long to get to it.
I loved the concept of this film, particularly in the life that Kiarostami breathed in to Bruegel's Hunters in the Snow in frame 1, but found that what followed a little too similar, and that not knowing the source of inspiration for 21 of the next 23 frames to be a detractor. It's certainly immersive and meditative, demanding patience of the viewer or a frame of mind that allows simple images to wash over oneself, but at 114 minutes, nearly 5 minutes a frame, it seemed too much for me.
The final frame, containing the kiss between Teresa Wright and Dana Andrews at the end of The Best Years of Our Lives (1946) played in very slow motion on a computer screen, while trees sway outside in the darkness, is stirring, powerful stuff. The only thing we have are these moments when we cling to one another, and if only we could slow them down. I just wish the music selected for this piece was something more poetic than Andrew Lloyd Weber's Love Never Dies, and that it hadn't taken so long to get to it.
- gbill-74877
- 17 gen 2024
- Permalink
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- How long is 24 Frames?Powered by Alexa
Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 34.482 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8.101 USD
- 4 feb 2018
- Lordo in tutto il mondo
- 39.808 USD
- Tempo di esecuzione1 ora 54 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.78 : 1
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By what name was 24 Frames (2017) officially released in Canada in English?
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