VALUTAZIONE IMDb
6,4/10
24.137
LA TUA VALUTAZIONE
Una timida adolescente si innamora di qualcuno che si trasforma ogni giorno in una persona diversa.Una timida adolescente si innamora di qualcuno che si trasforma ogni giorno in una persona diversa.Una timida adolescente si innamora di qualcuno che si trasforma ogni giorno in una persona diversa.
- Premi
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Trama
Lo sapevi?
- QuizOgni giorno (2018) is the very first full-length motion picture to be produced and distributed by the revitalized film studio Orion Pictures.
- BlooperJustin confirmed the party Saturday night with his friend, but the party where Justin was at with Rhiannon and Nathan met and talked to Rhiannon was Friday night.
- Versioni alternativeThe UK release was cut, the distributor chose to remove images of suicide techniques in order to obtain a 12A classification. An uncut 18 classification was available.
- ConnessioniFeatured in Tienes que ver esta peli: Cada día (2022)
- Colonne sonoreShadows
Written by William Cashion, Samuel T. Herring & Gerrit Welmers (as John Welmers)
Performed by Future Islands
Courtesy of 4AD
By arrangement with Beggars Group Media Limited
Recensione in evidenza
The romantic comedy and drama series, are two genres that often go hand and hand. Unfortunately these movies often lack in the unique department, copying each other's story like Hallmark copies its own plots. Yet, they still reign supreme in the movie world, unafraid to remain the cute, cuddly, and melodramatic. This weekend though, another book adapted to movie takes a shot at relieving us from this mundane rush, to add a little flair back into the romantic atmosphere. My review, as you can read, is on Every Day, starring Angourie Rice and a mess of other young actors. What is in store? Read on to find out my friends.
LIKES:
Acting: Many romantic comedies involving teenagers are often overacted performances that are not easy for me to stomach in the volumes I see movies in. Every Day on the other hand manage to keep the acting in check, with performances that felt like kids in every day high school. As the central character, Rice did a fantastic job of handling the teenager caught between so many lives that require her energy to invest in. As for the remainder of the cast, all the extras from the jerk boyfriend (Justice Smit) to the final host of A all have their parts to play, and each represent there lifestyle stigmatism well. Such a dynamic cast kept things fun, and the story more intriguing than the run of the mill romance.
The Morals: The story is primarily a love story, but amidst the kissing, hugging, and cuddling is a strong series of ethical dilemmas that the characters must face. It starts with the common moral dilemma of finding respectful love vs. settling, teaching young kids that love does exist outside the realms of popularity and physical aspects. Soon Rhiannon (Rice) starts crashing into things such as familial discord, self-identity, and trying to move on from something because it's the right thing to do. Her ever changing opposite (A) also has plenty to face with his powers too, as each person he inhabits has issues themselves that constantly challenge his happiness and ability to have a life he so desires. These head scratchers are perfect for the young minds to soak up into and good refresher for any, leaving you reviewing your own ideas upon exiting the theater. Nevertheless, these ideas are well-baked into the tale, perfect to drive the story more.
The Twist: Let's face it, romantic comedies have difficulty with surprising me, the plots so predictable and similar that one can't help but try to fight sleep sometimes. Every Day's twist to the story doesn't defy the predictability in terms of ending, but the concept itself is the intriguing part to this story. The premise of having your love interest switch to a new body every day crosses a bridge most people haven't attempted to and it worked for me. Seeing what new adventures they would go on, how they would solve the next problem, and even how they would make this whole endeavor work were some of the questions keeping me invested in the movie. However, the biggest question of who or what A is, that is the real thing I tried to figure out. So many mysteries amidst the romantic atmosphere makes this movie stand out.
DISLIKES:
The Predictability: The movie has such a unique twist, one was hoping to have a unique ending in the works as well. Every Day's presentation may stand out, but it's ending falls back in line with the usual endings that this genre is famous for. While a bit vague at points and somewhat lackluster given the build-up they were providing. However, one should be able to see the ending coming from a mile away, and despite being on the realistic, ethically inclined side, it still lacks the emotional shine you had hoped to see.
Problems Swept Under the Rug: I mentioned how much I liked the ethics in this film and the real life portrayals of the problems that plague the world. I also would have liked to see those problems have a little more development, pacing, and satisfying conclusion than what I got. The love aspect get the most attention, there's a surprise, but as for the other dilemmas, well they get the quick treatment. Some of these make sense because again they are one life A must live and maximize, however Rhiannon's family problems are ones that she has to live with constantly, so perhaps they should have cultivated a little more integration of these problems into the movie. It would have made an interesting side story to help integrate her family into the picture, providing yet another aspect to help with this awkward relationship.
Unrealistic: No duh, a person switching lives every day is totally unrealistic, however that's not the component I'm talking about. Instead, Rhiannon's unrealistic component is how little her school work and discipline suffers despite skipping as much as she does. If many had pulled the antics she did, they would have been expelled, fortunately the power of love seemed to have rescued them. This component is ignorable to most, but for me it was cheesy and unobtainable, only taking away for the story.
Unanswered questions: The movie invests an entire ten minute dialogue to try to explain the origins of A's powers. As such, at the end I was hoping for some actual answers and hopefully get a nice tie up to A's journey of body invasion. Once again, story fails to fill in the gaps, giving little information to clarify the fog of A's life, in favor of teaching a lesson about moving on. Yeah, they took the emotionally stirring route, but in terms of story, they should have closed this book much better in regards to answers.
MY VERDICT:
Every Day breaks the mold on the typical romantic comedy presentation with its unique concept of a lover switching bodies with each passing 24 hours. All the morals that come with this responsibility add an extra layer to the a generic plot, helping to keep your mind engaged instead of rapidly decaying into a lazy sponge that rom coms have come up with. And those twists that seemed so admirable, didn't quite reach the pinnacle of what I'm sure the book was able to accomplish. Problems are ignored or swiftly wrapped up, the ending still remains predictable and sadly the questions raised are left only slightly answered. Therefore, this romantic comedy stands out on some qualities, but still drowns in the mundane tactics that Hollywood has become. So worth a trip to the movie theater? Mixed results on this, but overall hold out for Redbox or a date night film at best.
My scores are:
Drama/Fantasy/Romance: 7.0 Movie overall: 5.5
LIKES:
Acting: Many romantic comedies involving teenagers are often overacted performances that are not easy for me to stomach in the volumes I see movies in. Every Day on the other hand manage to keep the acting in check, with performances that felt like kids in every day high school. As the central character, Rice did a fantastic job of handling the teenager caught between so many lives that require her energy to invest in. As for the remainder of the cast, all the extras from the jerk boyfriend (Justice Smit) to the final host of A all have their parts to play, and each represent there lifestyle stigmatism well. Such a dynamic cast kept things fun, and the story more intriguing than the run of the mill romance.
The Morals: The story is primarily a love story, but amidst the kissing, hugging, and cuddling is a strong series of ethical dilemmas that the characters must face. It starts with the common moral dilemma of finding respectful love vs. settling, teaching young kids that love does exist outside the realms of popularity and physical aspects. Soon Rhiannon (Rice) starts crashing into things such as familial discord, self-identity, and trying to move on from something because it's the right thing to do. Her ever changing opposite (A) also has plenty to face with his powers too, as each person he inhabits has issues themselves that constantly challenge his happiness and ability to have a life he so desires. These head scratchers are perfect for the young minds to soak up into and good refresher for any, leaving you reviewing your own ideas upon exiting the theater. Nevertheless, these ideas are well-baked into the tale, perfect to drive the story more.
The Twist: Let's face it, romantic comedies have difficulty with surprising me, the plots so predictable and similar that one can't help but try to fight sleep sometimes. Every Day's twist to the story doesn't defy the predictability in terms of ending, but the concept itself is the intriguing part to this story. The premise of having your love interest switch to a new body every day crosses a bridge most people haven't attempted to and it worked for me. Seeing what new adventures they would go on, how they would solve the next problem, and even how they would make this whole endeavor work were some of the questions keeping me invested in the movie. However, the biggest question of who or what A is, that is the real thing I tried to figure out. So many mysteries amidst the romantic atmosphere makes this movie stand out.
DISLIKES:
The Predictability: The movie has such a unique twist, one was hoping to have a unique ending in the works as well. Every Day's presentation may stand out, but it's ending falls back in line with the usual endings that this genre is famous for. While a bit vague at points and somewhat lackluster given the build-up they were providing. However, one should be able to see the ending coming from a mile away, and despite being on the realistic, ethically inclined side, it still lacks the emotional shine you had hoped to see.
Problems Swept Under the Rug: I mentioned how much I liked the ethics in this film and the real life portrayals of the problems that plague the world. I also would have liked to see those problems have a little more development, pacing, and satisfying conclusion than what I got. The love aspect get the most attention, there's a surprise, but as for the other dilemmas, well they get the quick treatment. Some of these make sense because again they are one life A must live and maximize, however Rhiannon's family problems are ones that she has to live with constantly, so perhaps they should have cultivated a little more integration of these problems into the movie. It would have made an interesting side story to help integrate her family into the picture, providing yet another aspect to help with this awkward relationship.
Unrealistic: No duh, a person switching lives every day is totally unrealistic, however that's not the component I'm talking about. Instead, Rhiannon's unrealistic component is how little her school work and discipline suffers despite skipping as much as she does. If many had pulled the antics she did, they would have been expelled, fortunately the power of love seemed to have rescued them. This component is ignorable to most, but for me it was cheesy and unobtainable, only taking away for the story.
Unanswered questions: The movie invests an entire ten minute dialogue to try to explain the origins of A's powers. As such, at the end I was hoping for some actual answers and hopefully get a nice tie up to A's journey of body invasion. Once again, story fails to fill in the gaps, giving little information to clarify the fog of A's life, in favor of teaching a lesson about moving on. Yeah, they took the emotionally stirring route, but in terms of story, they should have closed this book much better in regards to answers.
MY VERDICT:
Every Day breaks the mold on the typical romantic comedy presentation with its unique concept of a lover switching bodies with each passing 24 hours. All the morals that come with this responsibility add an extra layer to the a generic plot, helping to keep your mind engaged instead of rapidly decaying into a lazy sponge that rom coms have come up with. And those twists that seemed so admirable, didn't quite reach the pinnacle of what I'm sure the book was able to accomplish. Problems are ignored or swiftly wrapped up, the ending still remains predictable and sadly the questions raised are left only slightly answered. Therefore, this romantic comedy stands out on some qualities, but still drowns in the mundane tactics that Hollywood has become. So worth a trip to the movie theater? Mixed results on this, but overall hold out for Redbox or a date night film at best.
My scores are:
Drama/Fantasy/Romance: 7.0 Movie overall: 5.5
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Every Day
- Luoghi delle riprese
- George Street Diner, Toronto, Ontario, Canada(Diner Scene)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 4.900.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 6.102.076 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.016.149 USD
- 25 feb 2018
- Lordo in tutto il mondo
- 10.421.847 USD
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