Il paradiso probabilmente

Elia Suleiman plays himself, while traveling through different places and making comparisons with his homeland, Palestine. It's full of symbolism and irony. It's a subtle comedy, but brilliant in the key points. To take advantage of everything that you see, you need to have a bit of knowledge about the Israeli-Palestinian conflict, to understand the little things and comparisons with the other societies seen in the film. The photography is beautiful, the film lives by it (there is practically no dialogue in the film), with perfect symmetry between scenes. I did not find anything pretentious about this, as some have pointed out, but rather a different way of romanticizing a delicate subject of great significance for the director.