Nell'Inghilterra del 1800, una giovane donna ben intenzionata ma egoista si intromette nelle vite amorose dei suoi amici.Nell'Inghilterra del 1800, una giovane donna ben intenzionata ma egoista si intromette nelle vite amorose dei suoi amici.Nell'Inghilterra del 1800, una giovane donna ben intenzionata ma egoista si intromette nelle vite amorose dei suoi amici.
- Candidato a 2 Oscar
- 11 vittorie e 61 candidature totali
Trama
Lo sapevi?
- QuizAll of the music performances in the film are real, played by the actors in character. None is staged.
- BlooperThe Sequence subtitled Winter begins with a carriage drawing up in front of a large tree in full leaf.
- Citazioni
Mr. Elton: Dearly beloved friends, we gather here, in the sight of God, to join together this man, and this woman, in holy matrimony, an honorable estate, instituted by God, in this time of man's great in-no-cence...
Mr. Woodhouse: In-no-cence? Innocence, no?
- Curiosità sui creditiThe film's title has a period at the end, meant to signify the movie as a "period piece" set in the original era.
Recensione in evidenza
This was the last movie my wife and I saw in the actual theater-- back in March 2020 -- just days before covid-19 lockdown began. As of July we're wondering when we'll ever get to see another. In the meantime we've acquired a big UHD TV and subscriptions to a bunch of streaming services. But there's still nothing to match watching on a big screen with a packed audience of engaged viewers.
Anyway: long before there was "Mean Girls" and "Clueless", there was Jane Austen's novel about a good-hearted but manipulative, un-self-aware young woman who has a great deal of learning to do about real people. This most recent version of "Emma" is very nice and certainly worth seeing in whatever format. I think it's neither better nor worse than the good 1996 version (the one with Gwyneth Paltrow in the title role) -- they both have fine production values and fine casts, just different emphases, shadings of the various characters, and the choices for cuts made to the story to make it fit into a normal 2-hour run time. Anya Taylor-Joy is not only a good, distinctively featured young actress but she also *looks* as young as Jane Austen's heroine is intended to be, about age 20. She has the (often baseless) self-confidence arising from a privileged, untroubled upbringing, but a journey of self-discovery awaits her, and that's what makes the story.
Other standout characters include Mia Goth, who plays friend/protegee Harriet Smith as even more of a hapless stooge than usual; and the incomparable Bill Nighy as Emma's father Mr. Woodhouse. Is he really just a hypochondriac always fussing over cold drafts and fireplaces? It becomes clear that he knows and sees a good deal more than his loving but blithely unobservant daughter gives him credit for. And Nighy can steal scenes without saying a word, just by body posture and a raised eyebrow. He's a cinematic treasure. Johnny Flynn as Mr. Knightley is fine but a bit forgettable in the end.
And the scenery. It's so lush and green and bright that you have to consciously shake yourself to realize that no, the English countryside is really NOT always warm and sunlit as it is here. But this is fiction, and it just helps us settle in and enjoy the comfortable ride through this classic tale. For the best screen version of Emma out there, though, I happily recommend the 2009 TV miniseries starring Romola Garai. She's perfect for the part, and its 4-hour length lets the full story expand and breathe the way it should.
Anyway: long before there was "Mean Girls" and "Clueless", there was Jane Austen's novel about a good-hearted but manipulative, un-self-aware young woman who has a great deal of learning to do about real people. This most recent version of "Emma" is very nice and certainly worth seeing in whatever format. I think it's neither better nor worse than the good 1996 version (the one with Gwyneth Paltrow in the title role) -- they both have fine production values and fine casts, just different emphases, shadings of the various characters, and the choices for cuts made to the story to make it fit into a normal 2-hour run time. Anya Taylor-Joy is not only a good, distinctively featured young actress but she also *looks* as young as Jane Austen's heroine is intended to be, about age 20. She has the (often baseless) self-confidence arising from a privileged, untroubled upbringing, but a journey of self-discovery awaits her, and that's what makes the story.
Other standout characters include Mia Goth, who plays friend/protegee Harriet Smith as even more of a hapless stooge than usual; and the incomparable Bill Nighy as Emma's father Mr. Woodhouse. Is he really just a hypochondriac always fussing over cold drafts and fireplaces? It becomes clear that he knows and sees a good deal more than his loving but blithely unobservant daughter gives him credit for. And Nighy can steal scenes without saying a word, just by body posture and a raised eyebrow. He's a cinematic treasure. Johnny Flynn as Mr. Knightley is fine but a bit forgettable in the end.
And the scenery. It's so lush and green and bright that you have to consciously shake yourself to realize that no, the English countryside is really NOT always warm and sunlit as it is here. But this is fiction, and it just helps us settle in and enjoy the comfortable ride through this classic tale. For the best screen version of Emma out there, though, I happily recommend the 2009 TV miniseries starring Romola Garai. She's perfect for the part, and its 4-hour length lets the full story expand and breathe the way it should.
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Emma
- Luoghi delle riprese
- Lower Slaughter, Cheltenham, Inghilterra, Regno Unito(Hartfield village)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 10.055.355 USD
- Fine settimana di apertura Stati Uniti e Canada
- 234.482 USD
- 23 feb 2020
- Lordo in tutto il mondo
- 25.932.444 USD
- Tempo di esecuzione2 ore 4 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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