La famiglia Stoneman vede incrinarsi l'amicizia con i Cameron durante la guerra di secessione, in cui le due famiglie lottano in fazioni opposte. Gli sviluppi della guerra nell'arco delle lo... Leggi tuttoLa famiglia Stoneman vede incrinarsi l'amicizia con i Cameron durante la guerra di secessione, in cui le due famiglie lottano in fazioni opposte. Gli sviluppi della guerra nell'arco delle loro vite portano all'assassinio di Lincoln e alla nascita del Ku Klux Klan.La famiglia Stoneman vede incrinarsi l'amicizia con i Cameron durante la guerra di secessione, in cui le due famiglie lottano in fazioni opposte. Gli sviluppi della guerra nell'arco delle loro vite portano all'assassinio di Lincoln e alla nascita del Ku Klux Klan.
- Premi
- 2 vittorie
- Col. Ben Cameron aka The Little Colonel
- (as Henry Walthall)
- Silas Lynch - Mulatto Lieut. Governor
- (as George Seigmann)
- Jeff - The Blacksmith
- (as Wallace Reed)
- Abraham Lincoln
- (as Jos. Henabery)
- Wade Cameron - The Second Son
- (as J.A. Beringer)
- Duke Cameron - The Youngest Son
- (as John French)
Trama
Lo sapevi?
- QuizPresident Woodrow Wilson is famously rumored to have responded to the film with the remark: "It is like writing history with lightning. And my only regret is that it is all so terribly true." After the film became subject of controversy due to its heroic portrayal of the Ku Klux Klan, Wilson denied through his press secretary as to having known about the nature of the film before screening it at the White House, or having ever endorsed it. Nevertheless, Wilson's published works as a historian are closely aligned with the film's negative portrayal of Reconstruction (some of his writings are even quoted onscreen in certain prints of the film). Wilson was also notably a consistent pro-segregationist as President.
- BlooperCar tire tracks are visible in the KKK segment.
- Citazioni
intertitle: While youth dances the night away, childhood and old age slumber.
- Curiosità sui creditiThe following was listed in the opening credits: A PLEA FOR THE ART OF THE MOTION PICTURE: We do not fear censorship, for we have no wish to offend with improprieties or obscenities, but we do demand, as a right, the liberty to show the dark side of wrong, that we may illuminate the bright side of virtue - the same liberty that is conceeded to the art of the written word - that art to which we owe the Bible and the works of Shakespeare.
- Versioni alternativeIn both 1921 and 1927, edited versions of the film were released to reflect current political viewpoints.
- ConnessioniEdited into The Revenge of Pancho Villa (1932)
Anyone who ever complains about the political correctness or historical "revisionism" of today's academics, see this movie. And understand, that it is the work of historical "revisionists" that are responsible for teaching the facts about our nation's history, grasped out of the hands of fictions like Griffith's horrific Birth of a Nation. And don't be so smug about complaining of political correctness in the future.
And don't try to seperate this film as an artistic work with the historical perspective of the film. Keep in mind, this film was not only a portrayl of history, it was also a *part* of history. It served to defend racial segregation, lychings, and the Klan at a time when all three of those were very real political issues. It is not a coincidence that the greatest period of lychings and Jim Crow laws came shortly after this movie. In short, this film oppressed people. So don't treat it like it existed in an entertainment vacuum, unaffected by and unaffecting everything else around it.
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Dettagli
Botteghino
- Budget
- 110.000 USD (previsto)
- Tempo di esecuzione3 ore 15 minuti
- Mix di suoni
- Proporzioni
- 1.33 : 1