La famiglia Stoneman vede incrinarsi l'amicizia con i Cameron durante la guerra di secessione, in cui le due famiglie lottano in fazioni opposte. Gli sviluppi della guerra nell'arco delle lo... Leggi tuttoLa famiglia Stoneman vede incrinarsi l'amicizia con i Cameron durante la guerra di secessione, in cui le due famiglie lottano in fazioni opposte. Gli sviluppi della guerra nell'arco delle loro vite portano all'assassinio di Lincoln e alla nascita del Ku Klux Klan.La famiglia Stoneman vede incrinarsi l'amicizia con i Cameron durante la guerra di secessione, in cui le due famiglie lottano in fazioni opposte. Gli sviluppi della guerra nell'arco delle loro vite portano all'assassinio di Lincoln e alla nascita del Ku Klux Klan.
- Premi
- 2 vittorie
- Col. Ben Cameron aka The Little Colonel
- (as Henry Walthall)
- Silas Lynch - Mulatto Lieut. Governor
- (as George Seigmann)
- Jeff - The Blacksmith
- (as Wallace Reed)
- Abraham Lincoln
- (as Jos. Henabery)
- Wade Cameron - The Second Son
- (as J.A. Beringer)
- Duke Cameron - The Youngest Son
- (as John French)
Trama
Lo sapevi?
- QuizPresident Woodrow Wilson is famously rumored to have responded to the film with the remark: "It is like writing history with lightning. And my only regret is that it is all so terribly true." After the film became subject of controversy due to its heroic portrayal of the Ku Klux Klan, Wilson denied through his press secretary as to having known about the nature of the film before screening it at the White House, or having ever endorsed it. Nevertheless, Wilson's published works as a historian are closely aligned with the film's negative portrayal of Reconstruction (some of his writings are even quoted onscreen in certain prints of the film). Wilson was also notably a consistent pro-segregationist as President.
- BlooperCar tire tracks are visible in the KKK segment.
- Citazioni
intertitle: While youth dances the night away, childhood and old age slumber.
- Curiosità sui creditiThe following was listed in the opening credits: A PLEA FOR THE ART OF THE MOTION PICTURE: We do not fear censorship, for we have no wish to offend with improprieties or obscenities, but we do demand, as a right, the liberty to show the dark side of wrong, that we may illuminate the bright side of virtue - the same liberty that is conceeded to the art of the written word - that art to which we owe the Bible and the works of Shakespeare.
- Versioni alternativeIn both 1921 and 1927, edited versions of the film were released to reflect current political viewpoints.
- ConnessioniEdited into The Revenge of Pancho Villa (1932)
Griffith's portrayal of Reconstruction black politicians is not only racist, but blatantly untrue. Only in rare instances and for a short time did black representatives control any Southern legislatures, and this at a time when they were the majority of voters in many Southern states! For years teachers of Reconstruction have emphasized carpetbaggers, but have ommitted the fact that the post-Reconstruction governments were founded with the explicit purpose of disenfranchising blacks and violently enforcing their underclass status. For this reason and others, Birth of a Nation's claims to historical accuracy would be comical, if not for the horrific implications of the film.
That said, this film should be seen, mainly because it provides a document of a poisonous way of thinking that is by no means dead. It also represents the pop cultural moment when Northern and Southern whites reconciled over the memory of the Civil War, mainly to the detriment of blacks. Lastly, those who want this film burned only give ammunition to the idiots who still praise the KKK. It's better to let these jerks hang themselves with their own rhetorical ropes than to let them claim victim status.
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Dettagli
Botteghino
- Budget
- 110.000 USD (previsto)
- Tempo di esecuzione3 ore 15 minuti
- Mix di suoni
- Proporzioni
- 1.33 : 1