This is Norma Shearer's last silent. She plays "Dolly", a con artist who, predictably, falls for her victim (Johnny Mack Brown). It is a hackneyed plot, since done better by more than one film maker. The joy here, though, is simply a treat for the eyes. (There are those who claim she was't beautiful - They've got to be kidding) and there are those who claim she wasn't even a good actress. I'm afraid one could not use this film to prove otherwise. There is nothing remotely subtle about her mugging her way through the part. She learned to be a passable actress with time and the advent of sound, though. Johnny Mack Brown is more than adequate in the part of her "mark". He was a very good actor, and is rarely given his due. Lowell Sherman, as her nemesis, (a fop, bent on blackmail over Dolly's past) is a delight to watch, as he preens, leers and struts his way through the role. He is accompanied in his nefarious task by Gwen Lee, a capable character actress who never really got a shot at lead roles. Her height is in stark contrast to Shearer's small stature. This film is well worth watching, as the photography and processing produced a crisp, visual delight.