Aggiungi una trama nella tua linguaA coin found on the street turns out to be unlucky for those who attempt to possess it.A coin found on the street turns out to be unlucky for those who attempt to possess it.A coin found on the street turns out to be unlucky for those who attempt to possess it.
Trama
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- QuizBanned by German censor in 1928 because of its "brutalizing and demoralizing effect".
- Versioni alternativeThis film was published in Italy in an DVD anthology entitled "Avanguardia: Cinema sperimentale degli anni '20 e '30", distributed by DNA Srl. The film has been re-edited with the contribution of the film history scholar Riccardo Cusin . This version is also available in streaming on some platforms.
- ConnessioniFeatured in Von Caligari zu Hitler: Das deutsche Kino im Zeitalter der Massen (2014)
Recensione in evidenza
A German citizen happens upon a counterfeit coin lying in a gutter. The opening sequence of the movie gives a brief glimpse into the notion that the coin might be "cursed," as another passerby is struck down by a car while reaching for the coin in the middle of the road. Although the finder of the coin is at first glad, he soon regrets ever having picked it up.
IMDb gives the title as "Accident", whereas the more literal translation would be "Police Report: Assault", which I think takes on a very different tone. Kino splits the difference and just calls it "Uberfall". None of these really sums it up, but whatever.
Writer-director Ernő Metzner is probably better known as a production designer, and unfortunately he is not well known at all. He was forced into exile around 1933 and his career went downhill from there. This film is, in my opinion, one of the strongest of Kino's collection, and has that same shady crime element as such bigger films as "M". Metzner could have been a noir pioneer.
IMDb gives the title as "Accident", whereas the more literal translation would be "Police Report: Assault", which I think takes on a very different tone. Kino splits the difference and just calls it "Uberfall". None of these really sums it up, but whatever.
Writer-director Ernő Metzner is probably better known as a production designer, and unfortunately he is not well known at all. He was forced into exile around 1933 and his career went downhill from there. This film is, in my opinion, one of the strongest of Kino's collection, and has that same shady crime element as such bigger films as "M". Metzner could have been a noir pioneer.
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Dettagli
- Tempo di esecuzione21 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
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