VALUTAZIONE IMDb
6,8/10
979
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaStanley and Oliver are adopted by a runaway goat, whose noise and aroma in turn get the goat of their suspicious landlord. Attempts to bathe the smelly animal result in a waterlogged free-fo... Leggi tuttoStanley and Oliver are adopted by a runaway goat, whose noise and aroma in turn get the goat of their suspicious landlord. Attempts to bathe the smelly animal result in a waterlogged free-for-all.Stanley and Oliver are adopted by a runaway goat, whose noise and aroma in turn get the goat of their suspicious landlord. Attempts to bathe the smelly animal result in a waterlogged free-for-all.
Richard Belfield
- Policeman
- (non citato nei titoli originali)
Buddy Moore
- Boy
- (non citato nei titoli originali)
Buddy Moore
- Boy
- (non citato nei titoli originali)
Ford West
- Pet Store Owner
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThis was Laurel & Hardy's last silent film for producer Hal Roach.
- BlooperWhen Ollie spills water on the floor, the floor is subsequently wet and dry and wet again.
- Citazioni
opening title card: The dramatic story of a goat - a strong dramatic story.
- Versioni alternativeThe available print has been composed from material lifted from different sources. The opening MGM credits are not the originals but a recreation using the ones from "Big Business" changing the title and certain names. Most of the film itself was lifted from elements used in a Robert Youngson compilation and for this reason the quality of the images notably switches from excellent to terrible, since the rest of the film was probably lifted from worn 16mm prints.
- ConnessioniEdited into Sos Stanlio e Ollio (1967)
Recensione in evidenza
Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.
Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first truly classic one with close to flawless execution. Didn't find 'Angora Love', interesting for being the duo's silent film swansong, as one of their best and a bit disappointing compared to their late 1928 and previous 1929 efforts, which were among their best and funniest early work. It is still good with a lot of great merits.
It may not be "new" material as such, some rather familiar material here and the first part takes a little bit too time to get going.
Compared to the late 1928 and previous 1929 output, it is a little on the subdued and bland side, contrary to the insane craziness and wacky slapstick that was properly starting to emerge.
When 'Angora Love' does get going, which it does do very quickly, it is good enough fun, not really hilarious but never less than amusing. It is never too silly, the energy is there and the sly wit is here, some of the material may not be new but how it's executed actually doesn't feel too familiar and it doesn't get repetitive.
Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'Angora Love' we are far from robbed of that. Their comic timing is impeccable.
'Angora Love' looks mostly good visually (even if the polish is not always there), has energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid.
Overall, good. Not essential or classic Laurel and Hardy but hardly disgraces them either. 7/10 Bethany Cox
Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first truly classic one with close to flawless execution. Didn't find 'Angora Love', interesting for being the duo's silent film swansong, as one of their best and a bit disappointing compared to their late 1928 and previous 1929 efforts, which were among their best and funniest early work. It is still good with a lot of great merits.
It may not be "new" material as such, some rather familiar material here and the first part takes a little bit too time to get going.
Compared to the late 1928 and previous 1929 output, it is a little on the subdued and bland side, contrary to the insane craziness and wacky slapstick that was properly starting to emerge.
When 'Angora Love' does get going, which it does do very quickly, it is good enough fun, not really hilarious but never less than amusing. It is never too silly, the energy is there and the sly wit is here, some of the material may not be new but how it's executed actually doesn't feel too familiar and it doesn't get repetitive.
Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'Angora Love' we are far from robbed of that. Their comic timing is impeccable.
'Angora Love' looks mostly good visually (even if the polish is not always there), has energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid.
Overall, good. Not essential or classic Laurel and Hardy but hardly disgraces them either. 7/10 Bethany Cox
- TheLittleSongbird
- 7 set 2018
- Permalink
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Angora Love
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione21 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was La capra Penelope (1929) officially released in Canada in English?
Rispondi