VALUTAZIONE IMDb
6,9/10
1965
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA woman is sent to a reformatory when her con artist lover flees after killing a man during a botched blackmail scheme.A woman is sent to a reformatory when her con artist lover flees after killing a man during a botched blackmail scheme.A woman is sent to a reformatory when her con artist lover flees after killing a man during a botched blackmail scheme.
- Premi
- 2 vittorie totali
Louise Beavers
- Elite Club Attendant
- (non citato nei titoli originali)
Wade Boteler
- Police Sergeant at Reformatory
- (non citato nei titoli originali)
Bobby Caldwell
- Ruby & Eddie's Son
- (non citato nei titoli originali)
Nora Cecil
- Miss Campbell
- (non citato nei titoli originali)
Jack Cheatham
- Policeman
- (non citato nei titoli originali)
G. Pat Collins
- Phil Dunn
- (non citato nei titoli originali)
Nell Craig
- Miss Willard - Reformatory Matron
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizWhen Eddie is looking around Ruby's apartment, waiting for his clothes to dry, he spots a pennant on the wall that says "Albany Night Boat." That refers to the steamships that would depart New York City in the early evening for an overnight trip up the Hudson River to Albany. The ships had hundreds of staterooms and often were used---as the film's contemporary audience would know---for romantic getaways or illicit affairs. The pillow Eddie sees next also may have been a souvenir from the ship, as it's inscribed, "We're here to-day/To-morrow we're through/So let's be gay/It is up to you." Such trips peaked in the early 20th century, but started to decline in the 1930s when less costly, speedier, and more efficient modes of transportation by rail and automobile came to the fore. By the 1940s, the Albany Night Boat had virtually ceased to exist.
- BlooperWhen Eddie slams the door after tossing Aubrey Mitchell out of the apartment, the wall shakes.
- ConnessioniFeatured in Argento vivo (1933)
- Colonne sonoreHold Your Man
(1933) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Played on a record and sung by Harriet Lee
Reprised by Jean Harlow, playing piano and singing
Recensione in evidenza
I always loved Rita Hayworth and Ava Gardner, but not so much Jean Harlow. Me = dumb. I'd only seen clips of her films here and there. I always thought she was a hot one-liner, a glamour girl. But after seeing this, my first full length Jean Harlow experience, I admit that Miss Harlow was a truly great screen artist with the gift of creating rich characters. I simply fell in love with her, not because she was the first blonde bombshell or because she died young and became a legend. In this film, Miss Harlow's character is multi-dimensional beyond the traditional 1930's moll. She starts out one place and travels an arduous journey to end up on the other side of life. I loved her tough exterior. I loved her smile. I loved her song at the piano. My God, she was stupendous, she made me burst into tears when she sang her sad song. Most of all, I loved the HAPPY ENDING, Hollywood style. One other thing I was thrilled about was the African American inmate and her preacher father. Anita Loos was SO ahead of her time. She wrote 2 characters who were so lovely and so real. The inmate girl and her father brought such harmony to their scenes with all the white folk. A REVELATION for me. I hate stereotypes.
- whitedudekickin
- 24 lug 2003
- Permalink
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Dettagli
Botteghino
- Budget
- 266.000 USD (previsto)
- Tempo di esecuzione1 ora 27 minuti
- Colore
- Proporzioni
- 1.37 : 1
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Divario superiore
By what name was L'uomo che voglio (1933) officially released in India in English?
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