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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA woman (Kay Francis) with two husbands (Monroe Owsley, Henry Kolker) tries to divorce one of them by heading down to Havana where things get more complicated.A woman (Kay Francis) with two husbands (Monroe Owsley, Henry Kolker) tries to divorce one of them by heading down to Havana where things get more complicated.A woman (Kay Francis) with two husbands (Monroe Owsley, Henry Kolker) tries to divorce one of them by heading down to Havana where things get more complicated.
Irving Bacon
- Grover - Brooks' Chauffeur
- (non citato nei titoli originali)
Maurice Black
- Cuban Jewelry Salesman
- (non citato nei titoli originali)
George Chandler
- Joe - Desk Clerk
- (non citato nei titoli originali)
Heinie Conklin
- Mr. Smith - Man Exiting Room 410
- (non citato nei titoli originali)
Gino Corrado
- Gino - Hotel Metropole Waiter #2
- (non citato nei titoli originali)
Bill Elliott
- Partygoer
- (non citato nei titoli originali)
George Humbert
- Hotel Metropole Waiter #1
- (non citato nei titoli originali)
John Sheehan
- Ship Bartender
- (non citato nei titoli originali)
Leo White
- Porter in Cuba
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizFirst film pairing of Kay Francis and George Brent. They would co-star in a total of six films together, all at Warner Bros. Their six film collaborations are Signore sole (1933), Il ponte (1935), Living on Velvet (1935), Mariti in pericolo (1935), Give Me Your Heart (1936), and Secrets of an Actress (1938).
- BlooperIn the restaurant of the Hotel Metropole in Havana, the supposedly Cuban waiters (one of whom is referred to as "Pedro") speak to each other in Italian rather than Spanish. The actors playing these roles, George Humbert and Gino Corrado, were both born in Florence, Italy.
- Citazioni
Ann Brooks: [to Maurice] And the next time you try to kill yourself, let me know; I'd love to help you.
- ConnessioniRemade as Amore sotto coperta (1948)
Recensione in evidenza
"The Key Hole" is one of those "If you've seen one, you've seen them all" type films, though it's certainly not bad. Francis plays Ann Brooks, married to a wealthy man (Henry Kolker). She was married before, to Maurice (Monroe Owsley) who never got the divorce he promised her and is now blackmailing her because of it. She works out a scheme with her sister-in-law Portia (Helen Ware) to lure him out of the country, and then Portia would use her influence to have his visa taken away.
As part of the plan, Ann heads for Havana by ship, with Maurice following. Her suspicious husband has hired a detective, Neil Davis (George Brent) to try and seduce her, and along with Brent comes his spy, Hank Wales (Allen Jenkins). Wales meets Dot (Glenda Farrell), and these two provide the film's humor.
Well, you can guess what happens.
Kay Francis wears many fabulous gowns. I used to think the kind of lifestyle her character lived was just in the movies until I saw a 1930s Vogue magazine. What a formal time that was, with people dressing to the nines for lunch and to do any kind of traveling. Almost all the ads in Vogue were for trips on ocean liners. We've come a long way, and I'm not sure that's a good thing.
Anyway, the film is predictable, but Francis is good, as are Jenkins and Farrell. Brent is very smooth and charming.
Kay Francis made these films by the truckload, and I have to admit I watch them when they appear on TCM. She really epitomizes that early '30s era for me - an era that has not one vestige of it visible today.
As part of the plan, Ann heads for Havana by ship, with Maurice following. Her suspicious husband has hired a detective, Neil Davis (George Brent) to try and seduce her, and along with Brent comes his spy, Hank Wales (Allen Jenkins). Wales meets Dot (Glenda Farrell), and these two provide the film's humor.
Well, you can guess what happens.
Kay Francis wears many fabulous gowns. I used to think the kind of lifestyle her character lived was just in the movies until I saw a 1930s Vogue magazine. What a formal time that was, with people dressing to the nines for lunch and to do any kind of traveling. Almost all the ads in Vogue were for trips on ocean liners. We've come a long way, and I'm not sure that's a good thing.
Anyway, the film is predictable, but Francis is good, as are Jenkins and Farrell. Brent is very smooth and charming.
Kay Francis made these films by the truckload, and I have to admit I watch them when they appear on TCM. She really epitomizes that early '30s era for me - an era that has not one vestige of it visible today.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- The Keyhole
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 169.000 USD (previsto)
- Tempo di esecuzione1 ora 9 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1
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By what name was Signore sole (1933) officially released in India in English?
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