VALUTAZIONE IMDb
6,3/10
252
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaHigh school students band together to dispense vigilante justice against a vicious gangland boss.High school students band together to dispense vigilante justice against a vicious gangland boss.High school students band together to dispense vigilante justice against a vicious gangland boss.
- Premi
- 3 vittorie totali
Edward J. Nugent
- Don Merrick
- (as Eddie Nugent)
Charles Middleton
- District Attorney
- (as Charles B. Middleton)
Trama
Lo sapevi?
- QuizThe only film in which John Carradine was billed under the name John Peter Richmond, which he used from 1932 until 1935. He received no on-screen credit in any of his other features during that period.
- BlooperTutte le opzioni contengono spoiler
- Citazioni
Herman Farbstein: For the Italian boys I sometimes make chicken cacciatore, for the Chinese boys I make chop suey, and for the O'Brien boy I even made eggs with ham. For me, that's something. I tell you, Mr. Webber, the stomach is the last thing to get patriotic.
- ConnessioniReferences M - Il mostro di Düsseldorf (1931)
Recensione in evidenza
Admittedly, as you'd expect from the maestro, it's well made, it looks good and compelling enough to keep you watching until the very end....you will however curse the great man for making you waste your time on this nonsense.
If you can imagine one of Zanuck's campaigning early thirties Warner Brothers movies remade as a Scooby Doo episode you'll have half an idea what this is like. Then to get an even better impression, imagine that Scooby Doo episode made not as a cartoon but by a bunch of precocious theatre school students saying 'Gee that's swell' every couple of minutes in an attempt to sound authentic.
Just as DeMille was one of the greatest directors of the era, Bartlett Cormack was one of the era's great screenwriters. Although they'd work very successfully together in the future their combined efforts here didn't quite click. It all seems too far fetched. Perhaps if the story had been set in Ancient Rome or on a surreal remote island it might have worked but because this was meant to be "now" in the actual real world, it comes across as theatrical, contrived and unrealistic.
Writer, Bartlett Cormack made his name exposing corruption and organised crime and for about ten minutes we're tantalised that we're going to get something special. After the tailor is murdered, we learn that because of 'the system' justice can't always be done, we think we're about to see a hard-hitting "we need to fix our society" picture. You think it's going to be a provocative indictment of a corrupt legal system, something to make your blood boil. Unfortunately what unfolds just makes you cringe.
Cagney's MAYOR OF HELL had a kind of similar simplistic theme but that didn't take itself too seriously so was fun. This tried to be too earnest which was a shame because deMille usually showed quite a sense of humour in most of his pictures.
It's not a bad film, it's actually quite entertaining, it's just that you'd expect more from Mr deMille (and it is of course better than the pompous, sanctimonious sexual frustration-drenched nonsense known as SIGN OF THE CROSS.) Everyone has an off-day - even Led Zeppelin made In Thru The Outdoor!
If you can imagine one of Zanuck's campaigning early thirties Warner Brothers movies remade as a Scooby Doo episode you'll have half an idea what this is like. Then to get an even better impression, imagine that Scooby Doo episode made not as a cartoon but by a bunch of precocious theatre school students saying 'Gee that's swell' every couple of minutes in an attempt to sound authentic.
Just as DeMille was one of the greatest directors of the era, Bartlett Cormack was one of the era's great screenwriters. Although they'd work very successfully together in the future their combined efforts here didn't quite click. It all seems too far fetched. Perhaps if the story had been set in Ancient Rome or on a surreal remote island it might have worked but because this was meant to be "now" in the actual real world, it comes across as theatrical, contrived and unrealistic.
Writer, Bartlett Cormack made his name exposing corruption and organised crime and for about ten minutes we're tantalised that we're going to get something special. After the tailor is murdered, we learn that because of 'the system' justice can't always be done, we think we're about to see a hard-hitting "we need to fix our society" picture. You think it's going to be a provocative indictment of a corrupt legal system, something to make your blood boil. Unfortunately what unfolds just makes you cringe.
Cagney's MAYOR OF HELL had a kind of similar simplistic theme but that didn't take itself too seriously so was fun. This tried to be too earnest which was a shame because deMille usually showed quite a sense of humour in most of his pictures.
It's not a bad film, it's actually quite entertaining, it's just that you'd expect more from Mr deMille (and it is of course better than the pompous, sanctimonious sexual frustration-drenched nonsense known as SIGN OF THE CROSS.) Everyone has an off-day - even Led Zeppelin made In Thru The Outdoor!
- 1930s_Time_Machine
- 19 ott 2024
- Permalink
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- This Day and Age
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 26 minuti
- Colore
- Proporzioni
- 1.37 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
By what name was La nuova ora (1933) officially released in India in English?
Rispondi