Nanà

Fascinating period piece both in terms of the Setting of the film and when it was made. It's a rather early "talky" made by the only female director of the time. The original director began his career as a French art director and was fired and replaced by Arzner. Maybe he is responsible for the grand production values. Dorothy Arzner had been a film editor and even a cinematographer before becoming the first female member of the Film Directors Guild. She uses some great camera movements and segues that were very innovative for the era.

The music is very good. There is a great use of drums to create and build tension.

I didn't even think of Zola's Nana so it's loose connection didn't bother me. Anna Sten is gorgeous. There are some references to homosexuality between the women. But it's very subtle to modern viewers as required in 1930s when it might have been unheard of to the majority of viewers.

This Nana is quite a feminist for the 1930s. She's gay in the original meaning of the word and refuses to exist in her preordained social class. She is an independent woman who has affairs with different men throughout the picture without necessarily loving them. She gets drunk. She works hard. She parties. What woman today hasn't done that? But in the 1930s? Scandalous! And the men all blame her for their bad choices because she doesn't fall in with them or obey them. One of Nana's lovers forbids her to drink more alcohol and she says, "You what!!??" He has to soft pedal it.

She constantly takes insults and keeps going. The old men in the picture want to ruin her for loving outside her class. She gives it right back to them. She tells one old fart, "You made me? Well I paid you!" Meaning she paid him with her youth, beauty, and sex. And his price was expensive, the wrinkly old dick.

It is a much more sympathetic view of Nana than the self righteous and sexist Zola could have dreamed of. So many men just can't believe that a woman might just enjoy life outside of marrying and having children. Arzner knew a woman could.

I think Sten's accent and acting was criticized heavily when the film first came out because the acting in the silent era was so different and critics weren't used to the new style in talkies. Also, foreign accents were initially not well received. Garbo had been a silent film star and was accepted as a transitional star. Sten didn't have that to carry her into the new medium. Viewed without any bias over Garbo, Sten is very good and in some ways seems to have a more modern style comparable more to Olivia de Haviland. Her eyes are super sexy.