VALUTAZIONE IMDb
7,0/10
8717
LA TUA VALUTAZIONE
Un giovane si ritrova attratto da una cameriera fredda e insensibile che alla fine potrebbe distruggerli entrambi.Un giovane si ritrova attratto da una cameriera fredda e insensibile che alla fine potrebbe distruggerli entrambi.Un giovane si ritrova attratto da una cameriera fredda e insensibile che alla fine potrebbe distruggerli entrambi.
- Candidato a 1 Oscar
- 3 vittorie e 1 candidatura in totale
Frank Mills
- Chimneysweep
- (scene tagliate)
Harry Allen
- Cabbie at End
- (non citato nei titoli originali)
Ray Atchley
- J. Murphy
- (non citato nei titoli originali)
Frank Baker
- Policeman Removing Mildred
- (non citato nei titoli originali)
Evelyn Beresford
- Coughing Lady
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizIn later years, Bette Davis said that she found Leslie Howard very frosty and this actually helped her performance, particularly for the scenes requiring her to be horrible to him.
- BlooperAthelny's mustache and beard are almost coming unstuck when he is eating dinner.
- Citazioni
Mildred Rogers: You cad, you dirty swine! I never cared for you, not once! I was always makin' a fool of ya! Ya bored me stiff; I hated ya! It made me sick when I had to let ya kiss me. I only did it because ya begged me, ya hounded me and drove me crazy! And after ya kissed me, I always used to wipe my mouth! Wipe my mouth!
- ConnessioniEdited into Liquid Television: Episodio #2.10 (1992)
- Colonne sonoreHesitation Blues
(1915) (uncredited)
Written by Billy Smythe, Scott Middleton and Art Gillham
Played when Mildred is tearing up the apartment
Recensione in evidenza
I just saw "Of Human Bondage" for the first time a few days ago and WOW! What a mysterious and almost spooky film. I loved how the music went with the pace of each step of Philip's feet. It gave me the chills for some reason...
One of the greatest aspects of this film is that you get to see Bette Davis coming into herself right before your eyes. She's great, not necessarily because this is her best work, but because it was so out of the ordinary to be so vicious, gritty, and unflinching as an actress in 1934... Bette was a risk taker, always wanting to be different and this is right about when she started to realize that she could be as nasty and daring as she wanted and people would love her for it. If you're a true lover of film, it's amazing to see...
She just had a way of delivering a line that made the part, and the film for that matter, belong to her. Like "A mass of music and fire. That's me...an old kazoo and some sparklers" or "But you are Blanche, you are in that chair!" or "WITH ALL MY HEART, I STILL LOVE THE MAN I KILLED!!"... Those are from a few of her films, but you get my drift. She was just so brave, sassy, and exotic looking with those beautiful big eyes. After seeing this, I can't believe it was remade twice...
Leslie Howard was gorgeous...so calm and persistent, needing to be loved. I thought he was adorable and couldn't understand how everyone wasn't falling for him, but then again, everyone was...except Mildred. He did a great job...
The only thing that I didn't like was something that was common with the writing in the early films. They'd make a character so hateful that it's almost unbelievable that someone would actually fall for them in the first place. The performances were great, but in real life, Philip would have never been interested in Mildred. That's just the simple truth... See it!!
One of the greatest aspects of this film is that you get to see Bette Davis coming into herself right before your eyes. She's great, not necessarily because this is her best work, but because it was so out of the ordinary to be so vicious, gritty, and unflinching as an actress in 1934... Bette was a risk taker, always wanting to be different and this is right about when she started to realize that she could be as nasty and daring as she wanted and people would love her for it. If you're a true lover of film, it's amazing to see...
She just had a way of delivering a line that made the part, and the film for that matter, belong to her. Like "A mass of music and fire. That's me...an old kazoo and some sparklers" or "But you are Blanche, you are in that chair!" or "WITH ALL MY HEART, I STILL LOVE THE MAN I KILLED!!"... Those are from a few of her films, but you get my drift. She was just so brave, sassy, and exotic looking with those beautiful big eyes. After seeing this, I can't believe it was remade twice...
Leslie Howard was gorgeous...so calm and persistent, needing to be loved. I thought he was adorable and couldn't understand how everyone wasn't falling for him, but then again, everyone was...except Mildred. He did a great job...
The only thing that I didn't like was something that was common with the writing in the early films. They'd make a character so hateful that it's almost unbelievable that someone would actually fall for them in the first place. The performances were great, but in real life, Philip would have never been interested in Mildred. That's just the simple truth... See it!!
- donta49001
- 10 apr 2006
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Of Human Bondage
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 403.000 USD (previsto)
- Tempo di esecuzione1 ora 18 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was Schiavo d'amore (1934) officially released in India in English?
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