La traccia infernale

This has always stood out from the (star) pack for me, almost wholly because of the scenery and the sympathetic photography. The screenplay storyboard is plain to read as you're watching, stilted dialogue ending abruptly at scene ends, trip wires pulling down horses galore, a rope yanking a shot baddie offa his horse, reflecting mirrors directing light at the subjects etc.

The usual Golden Age convention leftovers from Edwardian times are also apparent - suspicion of murder falling naturally upon the head of a person of mixed parentage, the handy ethnic minority (French) ready to be the bad guys to a man, beautiful heiresses innocent and untarnished by money etc. Plenty of chasing about, silent fight scenes, an undeveloped love affair, hair-raising stunts with various stuntmen and stunthorses and a confusing climax.

OK - but I still love and recommend this one!