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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA loafer and a manicurist, both planning to marry money, meet and form an uneasy alliance.A loafer and a manicurist, both planning to marry money, meet and form an uneasy alliance.A loafer and a manicurist, both planning to marry money, meet and form an uneasy alliance.
- Premi
- 3 vittorie totali
Peter Allen
- Jewelry Clerk
- (non citato nei titoli originali)
Murray Alper
- Cabbie
- (non citato nei titoli originali)
Sam Ash
- Maitre d'Hotel
- (non citato nei titoli originali)
Herman Bing
- Barber
- (non citato nei titoli originali)
Ralph Brooks
- Restaurant Patron
- (non citato nei titoli originali)
Sterling Campbell
- Barber
- (non citato nei titoli originali)
Whitey the Cat
- Cat
- (non citato nei titoli originali)
Albert Conti
- Maitre d' in Speakeasy
- (non citato nei titoli originali)
Marcelle Corday
- Celeste
- (non citato nei titoli originali)
Nell Craig
- Saleswoman
- (non citato nei titoli originali)
William Demarest
- Natty
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizIn one scene, Fred MacMurray calls his fiancée, and Carole Lombard continuously interrupts him stating, "Bermuda calling." Director Mitchell Leisen said, "When they finished the take, Carole and Fred collapsed on the floor in laughter; they laughed until they couldn't laugh any more. It wasn't in the script, but I made sure the cameras kept turning and I used it in the picture. It is so hard to make actors laugh naturally - I wasn't about to throw that bit out."
- Citazioni
[Ted suggests temporarily becoming Regi's platonic roommate]
Regi Allen: Well, I'm not *that* unconventional.
Theodore Drew III: Aw, don't be old-fashioned. What are conventions anyway? Just a bunch of salesmen sitting around and telling stories.
- ConnessioniEdited into Histoire(s) du cinéma: Seul le cinéma (1994)
- Colonne sonoreHands Across the Table
Music by Jean Delettre
Lyrics by Mitchell Parish
[Played during the opening credits]
Recensione in evidenza
CAROLE LOMBARD and FRED MacMURRAY have chemistry in this warm romantic comedy about two people who are actually yearning to marry into wealth, but find that love conquers all. RALPH BELLAMY as "the other man" makes it a certainty that Lombard will fall in love with MacMurray for the final reel, so there's no guessing as to how it all turns out.
But Mitchell Leisen keeps the pace brisk for the running time of an hour and twenty minutes, the script that Norman Krasna and others penned is bright and funny, and everyone is seen to advantage. Lombard has probably seldom had such beguiling close-ups and she was a true, classic beauty with a flair for this brand of romantic comedy. MacMurray too has a deft touch with light material and is a good match for her as a playboy who'd rather fall in love with a rich woman but changes his mind when he meets Lombard.
Director Leisen can be proud of his career, which included gems like this and serious dramas like "Hold Back the Dawn" and "To Each His Own." He's probably one of Hollywood's most underrated directors and is in good form here.
The supporting cast gets a lift from RUTH DONNELLY and WILLIAM DEMAREST.
Summing up: Enjoyable nonsense, it's formula fluff given substance by a clever script and fine direction.
But Mitchell Leisen keeps the pace brisk for the running time of an hour and twenty minutes, the script that Norman Krasna and others penned is bright and funny, and everyone is seen to advantage. Lombard has probably seldom had such beguiling close-ups and she was a true, classic beauty with a flair for this brand of romantic comedy. MacMurray too has a deft touch with light material and is a good match for her as a playboy who'd rather fall in love with a rich woman but changes his mind when he meets Lombard.
Director Leisen can be proud of his career, which included gems like this and serious dramas like "Hold Back the Dawn" and "To Each His Own." He's probably one of Hollywood's most underrated directors and is in good form here.
The supporting cast gets a lift from RUTH DONNELLY and WILLIAM DEMAREST.
Summing up: Enjoyable nonsense, it's formula fluff given substance by a clever script and fine direction.
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Hands Across the Table
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 20 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was I milioni della manicure (1935) officially released in India in English?
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