Aggiungi una trama nella tua linguaA bored society girl sets her sights on a dancer in a Broadway show.A bored society girl sets her sights on a dancer in a Broadway show.A bored society girl sets her sights on a dancer in a Broadway show.
Rafael Alcayde
- Alfredo - Cashier
- (non citato nei titoli originali)
Richard Alexander
- Cop
- (non citato nei titoli originali)
Hooper Atchley
- Doctor
- (non citato nei titoli originali)
Bonita Barker
- Chorus Girl
- (non citato nei titoli originali)
Luis Barrancos
- Rumba Dancer
- (non citato nei titoli originali)
Olga Barrancos
- Rumba Dancer
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizOne of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since.
- Citazioni
Diana Harrison: Thank you very much. It's so easy for a woman to make a fool of herself; I'm surprised I haven't done it before.
- ConnessioniFeatured in The Fashion Side of Hollywood (1935)
- Colonne sonoreThe Rhythm of the Rumba
(uncredited)
Written by Ralph Rainger
Spanish Lyrics by François B. DeValdes
Copyright 1935 by Famous Music Corporation
Recensione in evidenza
George Raft may have cut quite a swath through the women of Hollywood, but I'm afraid that, for me, his image will never recover the look of him in a girl's blouse. Yes, it's modeled on flamenco costumes, but with little ruffles covering him from neck to waist, George looks as if he has put his head through a little girl's petticoat.
The rest of Rumba is similarly anaphrodisiac. Carole Lombard, playing a bored socialite, looks half asleep, even in moments of fear and passion, and the dances, supposed to be Latin American sensual-sensational, are very mild stuff. In the final number, the chorus girls and boys seem to be getting it on far more than the two principals, who do a standard Astaire-Rogers dance, and needless to say it is mediocre.
The one, unexpected plus here is the Mexican actress Margo. Lovely, sensual, and sensitive, she is so much more womanly that Carole Lombard that only enforced patriotism would keep George fixated on the icy Carole.
The rest of Rumba is similarly anaphrodisiac. Carole Lombard, playing a bored socialite, looks half asleep, even in moments of fear and passion, and the dances, supposed to be Latin American sensual-sensational, are very mild stuff. In the final number, the chorus girls and boys seem to be getting it on far more than the two principals, who do a standard Astaire-Rogers dance, and needless to say it is mediocre.
The one, unexpected plus here is the Mexican actress Margo. Lovely, sensual, and sensitive, she is so much more womanly that Carole Lombard that only enforced patriotism would keep George fixated on the icy Carole.
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Dettagli
- Tempo di esecuzione1 ora 11 minuti
- Colore
- Proporzioni
- 1.37 : 1
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