VALUTAZIONE IMDb
6,3/10
8384
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaWhen Countess Marya Zaleska appears in London, mysterious events occur that lead Dr. Von Helsing to believe that the Countess must be a vampire.When Countess Marya Zaleska appears in London, mysterious events occur that lead Dr. Von Helsing to believe that the Countess must be a vampire.When Countess Marya Zaleska appears in London, mysterious events occur that lead Dr. Von Helsing to believe that the Countess must be a vampire.
- Premi
- 1 vittoria e 1 candidatura
Halliwell Hobbes
- Hawkins
- (as Halliwell Hobbs)
Claud Allister
- Sir Aubrey
- (as Claude Allister)
Agnes Anderson
- Elena
- (non citato nei titoli originali)
John Blood
- Bobby
- (non citato nei titoli originali)
David Dunbar
- Motor Bobby
- (non citato nei titoli originali)
Douglas Gordon
- Attendant
- (non citato nei titoli originali)
Owen Gorin
- Groom's Friend
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizOriginally, Universal wanted to make a sequel based on Bram Stoker's short story 'Dracula's Guest' and negotiated with Stoker's widow Florence. During the talks between the two, it was discovered that Bram Stoker had not complied with one requirement of the U.S Copyright office with his novel 'Dracula', which rendered it public domain in the United States. Because Florence wanted more creative control over the sequel, and Bela Lugosi wanted more money to reprise the role of Count Dracula, Universal instead hired John L. Balderston to write a new story.
- BlooperWhen the police came upon the mayhem at Carfax Abbey (caused in Dracula (1931)) in the first scene, where were the primary witnesses, Mr. and Mrs. Harker? Their names would certainly have come up at some point while Dr. Von/Van Helsing was being booked and the crime scene was being examined. Furthermore, their suspicious departure from the scene should cause them to be regarded as fugitives and suspects. Yet they are never mentioned in this movie.
- Citazioni
Lady Esme Hammond: Sherry, Marya?
Countess Marya Zaleska: Thank you, I never drink... wine.
- ConnessioniFeatured in Shock!: Dracula's Daughter (1958)
Recensione in evidenza
The best of the Universal Dracula films will always be the one from 1931 with Bela Lugosi, which is one of the best and most iconic Universal Studios horrors. But its follow-ups generally are worth a look; Son of Dracula despite Lon Chaney Jnr's miscast Dracula was much better than expected, being a good-looking film with a lot of atmosphere and at least two scenes among the best of any Universal Studios Gothic horror film but House of Dracula while watchable was disappointing apart from a couple of effective sequences, nice sets and a few good performances but did suffer mainly from having too many ideas and not enough time to explore them.
Dracula's Daughter however is the best of them. Is it as good as the 1931 film? No, but it almost is. Two or three things do bring it down. The humour at the beginning with the cops was incredibly hokey and more overly-silly and misplaced than funny. Otto Kruger is an unappealingly stiff male lead, Garth has some very abrupt decision-making that Kruger overdoes to the point it gets annoying. And while the banter between him and Marguerite Churchill's Janet was very enjoyable and witty there was a little too much of it, it could have taken up less of the film and the film could have focused more on Von Helsing. Personal opinion of course.
On the other hand, Dracula's Daughter has great production values. The costumes and sets are sumptuous and splendidly Gothic and the film's beautifully photographed too. The music score, actually sounding original and not stock, compliments the mood very well and has to be one of the eeriest of any of the music scores in the Universal horrors. Dracula's Daughter is wittily scripted as just as I appreciated the film noir-ish-like direction of Son of Dracula I also appreciated the sombre, moody approach that the direction in Dracula's daughter took. The story, apart from the hokey start, is fun and atmospheric, there is a real eeriness but a poignant edge too. Of individual scenes the scene with the Countess Zaleska and Lilli is infamous and for a reason. Apart from Kruger the acting is good, Marguerite Churchill is amusing and Edward Van Sloan once again brings class to Von Helsing but the most memorable turns are from Irving Pichel and especially Gloria Holden. Pichel is effectively sinister especially towards the end while Holden is unforgettable in the title, subtly creepy but somewhat tragic.
All in all, not as good as the 1931 film but of the Dracula sequels Universal made to me Dracula's Daughter's the best one. 8/10 Bethany Cox
Dracula's Daughter however is the best of them. Is it as good as the 1931 film? No, but it almost is. Two or three things do bring it down. The humour at the beginning with the cops was incredibly hokey and more overly-silly and misplaced than funny. Otto Kruger is an unappealingly stiff male lead, Garth has some very abrupt decision-making that Kruger overdoes to the point it gets annoying. And while the banter between him and Marguerite Churchill's Janet was very enjoyable and witty there was a little too much of it, it could have taken up less of the film and the film could have focused more on Von Helsing. Personal opinion of course.
On the other hand, Dracula's Daughter has great production values. The costumes and sets are sumptuous and splendidly Gothic and the film's beautifully photographed too. The music score, actually sounding original and not stock, compliments the mood very well and has to be one of the eeriest of any of the music scores in the Universal horrors. Dracula's Daughter is wittily scripted as just as I appreciated the film noir-ish-like direction of Son of Dracula I also appreciated the sombre, moody approach that the direction in Dracula's daughter took. The story, apart from the hokey start, is fun and atmospheric, there is a real eeriness but a poignant edge too. Of individual scenes the scene with the Countess Zaleska and Lilli is infamous and for a reason. Apart from Kruger the acting is good, Marguerite Churchill is amusing and Edward Van Sloan once again brings class to Von Helsing but the most memorable turns are from Irving Pichel and especially Gloria Holden. Pichel is effectively sinister especially towards the end while Holden is unforgettable in the title, subtly creepy but somewhat tragic.
All in all, not as good as the 1931 film but of the Dracula sequels Universal made to me Dracula's Daughter's the best one. 8/10 Bethany Cox
- TheLittleSongbird
- 26 dic 2014
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- Tempo di esecuzione1 ora 11 minuti
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