VALUTAZIONE IMDb
7,5/10
14.905
LA TUA VALUTAZIONE
Un artista si reca a New York City per raccogliere i $ 25.000 di cui ha bisogno per sposare la sua fidanzata e si innamora di una bellissima aspirante ballerina.Un artista si reca a New York City per raccogliere i $ 25.000 di cui ha bisogno per sposare la sua fidanzata e si innamora di una bellissima aspirante ballerina.Un artista si reca a New York City per raccogliere i $ 25.000 di cui ha bisogno per sposare la sua fidanzata e si innamora di una bellissima aspirante ballerina.
- Vincitore di 1 Oscar
- 3 vittorie e 3 candidature totali
William Bailey
- Roulette Player
- (non citato nei titoli originali)
Harry Bernard
- Second Stagehand
- (non citato nei titoli originali)
William A. Boardway
- Nightclub Patron
- (non citato nei titoli originali)
Harry Bowen
- First Stagehand
- (non citato nei titoli originali)
Bill Brande
- Dancer
- (non citato nei titoli originali)
Ralph Brooks
- Dancer in 'The Way You Look Tonight' Number
- (non citato nei titoli originali)
Ralph Byrd
- Hotel Clerk
- (non citato nei titoli originali)
Jack Chefe
- Nightclub Diner
- (non citato nei titoli originali)
Martin Cichy
- Undetermined Role
- (non citato nei titoli originali)
Thomas A. Curran
- Man in New York Street
- (non citato nei titoli originali)
Alan Curtis
- Undetermined Secondary Role
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe climax of "Never Gonna Dance" took 47 takes in a single day and required many demanding spins of Ginger Rogers; her feet bled.
- BlooperIn the scene at the New Amsterdam, when Lucky first gets out of the car, there is a large white mark on the seat of his coat. This is possibly because no-one brushed off his coat after a previous take of the same scene, in which he sits down on a "snow" covered bench.
- Citazioni
Penelope "Penny" Carrol: Listen. No one could teach you to dance in a million years. Take my advice and save your money!
- ConnessioniEdited into Tre ragazze e un caporale (1942)
- Colonne sonorePick Yourself Up
(1936) (uncredited)
Lyrics by Dorothy Fields
Music by Jerome Kern
Sung and Danced by Fred Astaire and Ginger Rogers
Danced by Victor Moore and Helen Broderick
Played in the score often
Recensione in evidenza
An excellent feature in almost every respect, "Swing Time" is usually (and deservedly) considered to be, along with "Top Hat", the best of the series of Ginger Rogers/Fred Astaire musicals. And while "Top Hat" is a well-crafted and enjoyable movie, "Swing Time" might be even better. The story is light but entertaining, and the singing and dancing sequences are not only first-class, but also contain quite a variety of material, making this an ideal showcase for the stars and their talents.
Fred and Ginger are joined by Helen Broderick, who fits in very well. Victor Moore has some good moments, although his character is a bit over-used, and ceases to be funny after a while. The four of them carry almost all of the load - Eric Blore and Betty Furness are in the cast, but they do not get a lot of screen time.
The story is not bad, but it is the musical numbers that make this so enjoyable. Practically all of them can be watched a number of times without becoming dull. The upbeat sequence in the dance studio, and the "A Fine Romance" song in the snow both show, in different ways, the two stars working together closely. Astaire's tribute to Bojangles is an impressive display of talent and choreography. Then there are the more thoughtful sequences between the two, which show yet another side of their talents.
If "Swing Time" had Edward Everett Horton back in the cast, instead of the Victor Moore character, this would easily be the best of all of the Astaire/Rogers musicals. Even as it is, it's awfully good.
Fred and Ginger are joined by Helen Broderick, who fits in very well. Victor Moore has some good moments, although his character is a bit over-used, and ceases to be funny after a while. The four of them carry almost all of the load - Eric Blore and Betty Furness are in the cast, but they do not get a lot of screen time.
The story is not bad, but it is the musical numbers that make this so enjoyable. Practically all of them can be watched a number of times without becoming dull. The upbeat sequence in the dance studio, and the "A Fine Romance" song in the snow both show, in different ways, the two stars working together closely. Astaire's tribute to Bojangles is an impressive display of talent and choreography. Then there are the more thoughtful sequences between the two, which show yet another side of their talents.
If "Swing Time" had Edward Everett Horton back in the cast, instead of the Victor Moore character, this would easily be the best of all of the Astaire/Rogers musicals. Even as it is, it's awfully good.
- Snow Leopard
- 7 nov 2004
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Swing Time
- Luoghi delle riprese
- La Grande Station, Downtown, Los Angeles, California, Stati Uniti(exteriors and interiors of the train station)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 886.000 USD (previsto)
- Lordo in tutto il mondo
- 6.317 USD
- Tempo di esecuzione1 ora 43 minuti
- Colore
- Proporzioni
- 1.37 : 1
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