VALUTAZIONE IMDb
7,4/10
3136
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaTwo schoolteachers and the man they both love face ruin when a malicious student cooks up a lie.Two schoolteachers and the man they both love face ruin when a malicious student cooks up a lie.Two schoolteachers and the man they both love face ruin when a malicious student cooks up a lie.
- Candidato a 1 Oscar
- 2 candidature totali
Catherine Doucet
- Mrs. Mortar
- (as Catharine Doucet)
Mary Anne Durkin
- Joyce
- (as Mary Ann Durkin)
Joan Barclay
- Schoolgirl
- (non citato nei titoli originali)
Al Bridge
- Mrs. Walton's Chauffeur
- (non citato nei titoli originali)
Ann Bupp
- Minor Role
- (non citato nei titoli originali)
Tommy Bupp
- Boy on Merry-Go-Round
- (non citato nei titoli originali)
Sally Conlin
- Schoolgirl
- (non citato nei titoli originali)
Ray Cooke
- Soda Clerk
- (non citato nei titoli originali)
Marie Louise Cooper
- Helen Burton
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe play was partly inspired by an actual case in Edinburgh, Scotland in 1810, "Miss Pirie and Miss Woods vs. Dame Cumming Gordon." Two schoolteachers, Jane Pirie and Marianne Woods, were falsely accused of having a lesbian affair by a pupil, Jane Gordon. Under the influence of Jane's grandmother, Dame Cumming Gordon, the school's students were removed by their parents and the school was shut down. Pirie and Woods filed a libel suit against Dame Cumming Gordon and won the case, but given the destruction of their lives and standing in the community, it was considered a hollow victory.
- BlooperBefore Mrs. Tilford's maid slaps Mary (Bonita Granville) in one of the final scenes of the film, she grabs the girl and says, "Bonita, come here."
- Citazioni
Karen Wright: [referring to Mary and Mrs. Amelia Tilford] The wicked very young... and the wicked very old.
- ConnessioniFeatured in American Masters: Regia di William Wyler (1986)
Recensione in evidenza
In Lillian Hellman's original play, THE CHILDREN'S HOUR, the scandal involved lesbianism--certainly NOT a topic they were allowed to address in Hollywood in the strengthened Production Code era. Starting around 1935, Hollywood bowed to pressure to clean up the movies and feature more wholesome images. While today some see this as a totally negative thing, you must understand that nudity, violence, crudeness and very adult topics were frequently used in films and there was no rating system. So, kids might go to the theaters and see rather graphic nude swimming scenes (TARZAN AND HIS MATE and BIRD OF PARADISE are good examples) or Frank McHugh giving someone "the finger" (PARATROOPER). As a result, SOME sort of system needed to be created, though I will admit some of the resulting products from Hollywood were a bit bland. In regard to THE CHILDREN'S HOUR, there was no way the studios would be allowed to discuss homosexuality during this era, so they changed the allegations to promiscuity between a man and a woman. This did NOT appreciably alter the play nor its impact and reportedly Miss Hellman was happy with the film despite this minor change--minor in that it resulted in only minor alterations to the script and kept the overall message intact.
The resulting film, THESE THREE, was produced by David O. Selznick, directed by William Wyler and starred Miriam Hopkins, Merle Oberon and Joel McCrea. With this terrific combination of talents and the Hellman script, it certainly isn't much of a surprise that the film was excellent throughout--and one of the better pictures of the 1930s. About the only negative at all about the play was the performance of young Bonita Granville. While generally very good (earning her an Oscar nomination), it was at times also a tad over-the-top--and she acted so histrionic that you wonder what sane person would believe all of her lies!!! If this had been toned down just a bit (making her a little more subtle), the film would have earned a 10. As it is, it's still a terrific film with an original and wonderful script.
The resulting film, THESE THREE, was produced by David O. Selznick, directed by William Wyler and starred Miriam Hopkins, Merle Oberon and Joel McCrea. With this terrific combination of talents and the Hellman script, it certainly isn't much of a surprise that the film was excellent throughout--and one of the better pictures of the 1930s. About the only negative at all about the play was the performance of young Bonita Granville. While generally very good (earning her an Oscar nomination), it was at times also a tad over-the-top--and she acted so histrionic that you wonder what sane person would believe all of her lies!!! If this had been toned down just a bit (making her a little more subtle), the film would have earned a 10. As it is, it's still a terrific film with an original and wonderful script.
- planktonrules
- 24 mar 2007
- Permalink
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- Tempo di esecuzione1 ora 33 minuti
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- 1.37 : 1
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By what name was La calunnia (1936) officially released in India in English?
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