VALUTAZIONE IMDb
6,3/10
1308
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA lounge singer is sent by a count to pose as a wealthy socialite.A lounge singer is sent by a count to pose as a wealthy socialite.A lounge singer is sent by a count to pose as a wealthy socialite.
Mary Philips
- Maria
- (as Mary Phillips)
Rafael Alcayde
- Hotel Clerk
- (non citato nei titoli originali)
Nino Bellini
- Cosmos Club Waiter
- (non citato nei titoli originali)
Agostino Borgato
- Cordellera Bar Waiter
- (non citato nei titoli originali)
Adriana Caselotti
- First Peasant Girl
- (non citato nei titoli originali)
Robert Cauterio
- Hotel Clerk
- (non citato nei titoli originali)
Irene Coleman
- Cosmos Club Hat Check Girl
- (non citato nei titoli originali)
Gino Corrado
- Cosmos Club Croupier
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizDuring filming, an electrician fell from the catwalk high above the set, narrowly missing the film's star, Joan Crawford. Shooting was temporarily halted while the man was rushed to hospital. Crawford refused to resume production until she was assured that the man would be fully cared for, that he would remain on salary, and that his family would be provided for. Crawford also called the hospital each day afterwards for reports on his condition.
- Citazioni
Rudolph 'Rudi' Pal: In my opinion, most people prefer sardines to caviar because most people haven't tried caviar.
- Curiosità sui creditiDuring the opening credits, a music box is shown playing a tune in the background.
- ConnessioniFeatured in The Romance of Celluloid (1937)
- Colonne sonoreWho Wants Love?
(1937)
Music by Franz Waxman
Lyrics by Gus Kahn
Sung by Joan Crawford (uncredited) at the Cordellera Bar
Played throughout as part of the score
Recensione in evidenza
I've never been a fan of Joan Crawford, so it's always a surprise to find a performance of hers that really wins me over. I liked her in Grand Hotel (as 'Flaemmchen,') and I liked her again, very much, as Anni, the cheap night-club singer masquerading as a lady. Often seen in hard and brittle roles, Crawford has a very different look in this film, and expresses a vulnerability that brings her character to life. (Billie Burke is also notable, in the small but juicy role of the acid-tongued Contessa. And Franchot Tone has never been more likable.)
The Bride Wore Red is certainly built according to studio formula, but it also embodies all the earnest craftsmanship that characterized the studio system. The film at times seems clichéd, but it fully redeems itself through genuine empathy for the characters. And through its very strong premise: a 'scarlet' woman driven by hunger for the good life, who is given a slim chance of joining the upper class - provided she's cold and deceitful enough.
Until the final act, I really felt that the film could have gone either way: warm-hearted romance or bitter tragedy. The delicate balancing act makes it hard to achieve a satisfying pay-off. But the ending does succeed, thanks to a couple of nicely orchestrated scenes, and to the talent and charisma of Ms Crawford. These do make us believe that Anni could only choose as she does.
I was a bit sorry the film didn't delve just a little deeper into the moral and social dimensions. Anni's real problem is not what she wants, but rather what she may have to give up in order to get it. That distinction is not made entirely clear, leaving the film a bit too reliant on the old cliché that 'wealth doesn't bring true happiness.' But there's more going on here. Anni's 'tragic flaw' is not the hunger itself, but her willingness to give up honesty, morality and even true love. This distinction becomes almost subliminal, but it's there, and gives the film a slightly sharper edge. Anni is a character we can identify with and possibly admire, even when she's doing something despicable.
If you're in the mood for a traditional, old-style Hollywood entertainment, you won't go wrong with The Bride Wore Red. This is one of the good ones, a film I'd gladly watch again any time.
The Bride Wore Red is certainly built according to studio formula, but it also embodies all the earnest craftsmanship that characterized the studio system. The film at times seems clichéd, but it fully redeems itself through genuine empathy for the characters. And through its very strong premise: a 'scarlet' woman driven by hunger for the good life, who is given a slim chance of joining the upper class - provided she's cold and deceitful enough.
Until the final act, I really felt that the film could have gone either way: warm-hearted romance or bitter tragedy. The delicate balancing act makes it hard to achieve a satisfying pay-off. But the ending does succeed, thanks to a couple of nicely orchestrated scenes, and to the talent and charisma of Ms Crawford. These do make us believe that Anni could only choose as she does.
I was a bit sorry the film didn't delve just a little deeper into the moral and social dimensions. Anni's real problem is not what she wants, but rather what she may have to give up in order to get it. That distinction is not made entirely clear, leaving the film a bit too reliant on the old cliché that 'wealth doesn't bring true happiness.' But there's more going on here. Anni's 'tragic flaw' is not the hunger itself, but her willingness to give up honesty, morality and even true love. This distinction becomes almost subliminal, but it's there, and gives the film a slightly sharper edge. Anni is a character we can identify with and possibly admire, even when she's doing something despicable.
If you're in the mood for a traditional, old-style Hollywood entertainment, you won't go wrong with The Bride Wore Red. This is one of the good ones, a film I'd gladly watch again any time.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- The Bride Wore Red
- Luoghi delle riprese
- Austria(Alpine exteriors)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 960.000 USD (previsto)
- Tempo di esecuzione1 ora 43 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was La sposa vestiva di rosa (1937) officially released in Canada in English?
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