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LA TUA VALUTAZIONE
Mentre si avvicina una tempesta, gli uccelli, i mici e le altre creature cercano di mettersi al riparo ed all'asciutto in un vecchio mulino.Mentre si avvicina una tempesta, gli uccelli, i mici e le altre creature cercano di mettersi al riparo ed all'asciutto in un vecchio mulino.Mentre si avvicina una tempesta, gli uccelli, i mici e le altre creature cercano di mettersi al riparo ed all'asciutto in un vecchio mulino.
- Vincitore di 1 Oscar
- 2 vittorie totali
Elvia Allman
- Doves
- (voce)
- …
Dorothy Compton
- Singer
- (voce)
Beatrice Hagen
- Singer
- (voce)
Mary Moder
- Singer
- (voce)
Purv Pullen
- Owls
- (voce)
- …
Marie Arbuckle
- Singer
- (voce)
- (non citato nei titoli originali)
Jean MacMurray
- Crickets
- (voce)
- (non citato nei titoli originali)
Louise Myers
- Birds
- (voce)
- (non citato nei titoli originali)
Clarence Nash
- Frogs
- (voce)
- (non citato nei titoli originali)
Marta Nielsen
- Singer
- (voce)
- (non citato nei titoli originali)
Jerry Philipps
- Singer
- (voce)
- (non citato nei titoli originali)
Barbara Whitson
- Singer
- (voce)
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThis film introduced Disney's technical innovation, the multiplane camera.
- BlooperThe reflection for the ducks is supposed to be down center of screen, like the windmill's reflection. Therefore, the ducks reflection is not missing, but off the screen, down and center.
- ConnessioniEdited into La sirenetta (1989)
- Colonne sonoreOne Day When We Were Young
by Johann Strauss
Played by orchestra and hummed by chorus in several places throughout the cartoon
Recensione in evidenza
A Walt Disney SILLY SYMPHONY Cartoon Short.
As evening draws near, the various creatures living in THE OLD MILL settle in for the night. Dark, fast-moving clouds, however, signal the arrival of a fierce storm...
Winner of the 1937 Academy Award, this lovely cartoon was important for a couple of significant reasons. It exhibited the quantum leaps the Disney artists had taken since the early Symphonies in the animation of animals - the mice and birds are particularly well drawn. The cartoon also debuted the Studio's new multi-plane camera, a complicated and very expensive machine which was able to render an astonishing illusion of depth. - notice the opening traveling shot which moves through the spider web.
The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most fascinating of all animated series. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.
As evening draws near, the various creatures living in THE OLD MILL settle in for the night. Dark, fast-moving clouds, however, signal the arrival of a fierce storm...
Winner of the 1937 Academy Award, this lovely cartoon was important for a couple of significant reasons. It exhibited the quantum leaps the Disney artists had taken since the early Symphonies in the animation of animals - the mice and birds are particularly well drawn. The cartoon also debuted the Studio's new multi-plane camera, a complicated and very expensive machine which was able to render an astonishing illusion of depth. - notice the opening traveling shot which moves through the spider web.
The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most fascinating of all animated series. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.
- Ron Oliver
- 15 ott 2000
- Permalink
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- The Old Mill
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Divario superiore
By what name was Il vecchio mulino (1937) officially released in Canada in English?
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