VALUTAZIONE IMDb
7,1/10
2384
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe adventures of an egoistic con man and his glamorous accomplice.The adventures of an egoistic con man and his glamorous accomplice.The adventures of an egoistic con man and his glamorous accomplice.
Wade Boteler
- Detective
- (non citato nei titoli originali)
Ray Cooke
- Jimmy - Bellhop
- (non citato nei titoli originali)
Richard Cramer
- Cabbie
- (non citato nei titoli originali)
Bill Elliott
- Nightclub Patron under Title Credits
- (non citato nei titoli originali)
Peter Erkelenz
- Kansas City Dutch
- (non citato nei titoli originali)
Dick Gordon
- Nightclub Patron
- (non citato nei titoli originali)
Sherry Hall
- Tobacco Counterman
- (non citato nei titoli originali)
Lew Harvey
- Driver
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizLate in the movie when Jerry (Russell Hopton) shows Cagney his money-making scam of selling "swastika charms" there is an abrupt edit, probably a close-up of what the charm looked like. Swastikas had been considered good-luck charms until the advent of the Nazis two years after this movie was released, and the edit almost certainly took place between then and 1941 when other war-related edits took place in Hollywood (e.g., anything relating to Italy in The Marx Brothers Una notte all'opera (1935).
- BlooperWhen Bert is in the car chase, they pass a Three Owl drug store, which was a West Coast chain, despite the scene being set in New York City. Other advertising also points to California: a See's candy store and a neon sign for Motorite motor oil from the Union Oil Co.
- Citazioni
Bert Harris: Oh, that dirty, double-crossin' rat! I'd like to get my hooks on him. I'd tear him to pieces!
- ConnessioniFeatured in Hollywood and the Stars: How to Succeed as a Gangster (1963)
- Colonne sonoreWhen Your Lover Has Gone
(1931) (uncredited)
Written by E.A. Swan
Played and sung during the credits by an uncredited tenor
Played by an orchestra at a nightclub
Played as background music when Bert proposes to Anne
Played as background music at the end
Recensione in evidenza
Aside from an ending that just seemed too vague and too abrupt, this is a very little enjoyable film from Warner Brothers. In some ways, it's very much a Pre-Code style film but it's not as salacious as some of the more extreme films during the era. Sure, there is a some sexual innuendo and the main characters are awfully amoral, but it other ways things are bizarrely chaste--and it's something you really need to see to appreciate.
The film begins with Ann (Joan Blondell) looking for a job at a hotel. A slick bellboy, Bert (James Cagney) helps her get a job and almost immediately begins pawing at her. He's also a guy who is a bit of a huckster--and he schemes and pulls off petty grifter schemes for extra money. Want an example of the sort of dialog in this part of the film?
Bert Harris: Now, you play ball with me... and your worrying days will be over.
Ann Roberts: Yeah? How about the nights?
Bert Harris: (smirks) Well, I'll see what I can do about those too, honey!
As I said, there is a lot of innuendo. However, unlike films like "Red- Headed Woman" and "Platinum Blonde", the leading lady in this one seems to have her virtue intact throughout the film. Ann is willing to go along with some of Bert's schemes but keeps him at a distance throughout the film.
Eventually, the pair get tired of penny ante stakes and quite their jobs to travel the country cheating boobs here and there. The trouble is that in the process, the pair obviously become quite fond of each other. But Ann doesn't want this sort of life forever and eventually falls for a stockbroker (Ray Milland). What's in store for Bert? Well, watch the film for the super-bizarro ending to see for yourself. I don't want to give it away but suffice to say it seems to come from out of no where and the ending of the film is incredibly vague and a bit unsatisfying-- hence my score of only 7 when it easily could have earned a higher rating up until then.
The overall moral of the film seems to be EVERYONE is corrupt and what you get out of life is what you can take--a thoroughly Pre-Code moral in every way! Still, despite its dubious life lesson, the film is well acted and paced, quite enjoyable to watch and offers Cagney a part to play one of his strangest characters. This isn't the nasty criminal sort he played in "Public Enemy" nor the heroic sort he played in Post- Code films, that's for sure.
The film begins with Ann (Joan Blondell) looking for a job at a hotel. A slick bellboy, Bert (James Cagney) helps her get a job and almost immediately begins pawing at her. He's also a guy who is a bit of a huckster--and he schemes and pulls off petty grifter schemes for extra money. Want an example of the sort of dialog in this part of the film?
Bert Harris: Now, you play ball with me... and your worrying days will be over.
Ann Roberts: Yeah? How about the nights?
Bert Harris: (smirks) Well, I'll see what I can do about those too, honey!
As I said, there is a lot of innuendo. However, unlike films like "Red- Headed Woman" and "Platinum Blonde", the leading lady in this one seems to have her virtue intact throughout the film. Ann is willing to go along with some of Bert's schemes but keeps him at a distance throughout the film.
Eventually, the pair get tired of penny ante stakes and quite their jobs to travel the country cheating boobs here and there. The trouble is that in the process, the pair obviously become quite fond of each other. But Ann doesn't want this sort of life forever and eventually falls for a stockbroker (Ray Milland). What's in store for Bert? Well, watch the film for the super-bizarro ending to see for yourself. I don't want to give it away but suffice to say it seems to come from out of no where and the ending of the film is incredibly vague and a bit unsatisfying-- hence my score of only 7 when it easily could have earned a higher rating up until then.
The overall moral of the film seems to be EVERYONE is corrupt and what you get out of life is what you can take--a thoroughly Pre-Code moral in every way! Still, despite its dubious life lesson, the film is well acted and paced, quite enjoyable to watch and offers Cagney a part to play one of his strangest characters. This isn't the nasty criminal sort he played in "Public Enemy" nor the heroic sort he played in Post- Code films, that's for sure.
- planktonrules
- 18 lug 2014
- Permalink
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By what name was La bionda e l'avventuriero (1931) officially released in India in English?
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