VALUTAZIONE IMDb
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA war officer who is thought dead returns to the woman he loves, only to find that she has remarried.A war officer who is thought dead returns to the woman he loves, only to find that she has remarried.A war officer who is thought dead returns to the woman he loves, only to find that she has remarried.
Daisy Belmore
- Tibbetts - Nurse
- (non citato nei titoli originali)
Billy Bevan
- Departing British Soldier
- (non citato nei titoli originali)
Edmund Breon
- Tom Kent
- (non citato nei titoli originali)
Eddy Chandler
- Captain Peters
- (non citato nei titoli originali)
Jay Eaton
- Dancing Doughboy
- (non citato nei titoli originali)
Bill Elliott
- Dancing Doughboy
- (non citato nei titoli originali)
Fred Esmelton
- Ponsonby's Butler
- (non citato nei titoli originali)
Mary Forbes
- The Duchess
- (non citato nei titoli originali)
Elizabeth Forrester
- Evelyn Kent
- (non citato nei titoli originali)
Robert Greig
- Hansom Cabby
- (non citato nei titoli originali)
Olaf Hytten
- Aide to Major General
- (non citato nei titoli originali)
Claude King
- Major General Visiting Hospital
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe first of four films co-starring Constance Bennett with Joel McCrea, the other three being The Common Law (1931), Labbra proibite (1932), and Bed of Roses (1933).
- BlooperIn an early sequence set in 1918, Constance Bennett is shown playing a phonograph record on the Victor label--but the label is the "scroll design" Victor didn't use until 1925.
- Curiosità sui creditiDebut of actress Eily Malyon.
Recensione in evidenza
Not uninteresting pre-Code soap suds, wherein Yankee nurse Bennett, in London (nice historical touch: a bus advertising "Chu Chin Chow") meets Captain Joel McCrea, they have a torrid romance and pledge their troth, and while carrying his child she hears he's dead. We know he's not--he's second-billed, and there's an hour to go--but she thinks he is, so she marries Paul Cavanagh on the rebound and we wait for the fireworks that will erupt when McCrea returns. Connie's histrionic- -she gets to love, yell, sob, scream, and put on a phony British accent, even though she's playing American--and Paul Stein's camera likes to linger on her overemoting. But Joel McCrea was certainly the personification of solid masculine American values circa 1918 or 1931, and his sincere underplaying nicely complements her overplaying. The screenplay doesn't hate her for having a child out of wedlock, and the happy ending isn't that happy. So, by 1931 standards, it's an adult movie. Just not a very good one.
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Dettagli
Botteghino
- Budget
- 338.000 USD (previsto)
- Tempo di esecuzione1 ora 21 minuti
- Colore
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Divario superiore
By what name was Passione di mamma (1931) officially released in India in English?
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