VALUTAZIONE IMDb
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA war officer who is thought dead returns to the woman he loves, only to find that she has remarried.A war officer who is thought dead returns to the woman he loves, only to find that she has remarried.A war officer who is thought dead returns to the woman he loves, only to find that she has remarried.
Daisy Belmore
- Tibbetts - Nurse
- (non citato nei titoli originali)
Billy Bevan
- Departing British Soldier
- (non citato nei titoli originali)
Edmund Breon
- Tom Kent
- (non citato nei titoli originali)
Eddy Chandler
- Captain Peters
- (non citato nei titoli originali)
Jay Eaton
- Dancing Doughboy
- (non citato nei titoli originali)
Bill Elliott
- Dancing Doughboy
- (non citato nei titoli originali)
Fred Esmelton
- Ponsonby's Butler
- (non citato nei titoli originali)
Mary Forbes
- The Duchess
- (non citato nei titoli originali)
Elizabeth Forrester
- Evelyn Kent
- (non citato nei titoli originali)
Robert Greig
- Hansom Cabby
- (non citato nei titoli originali)
Olaf Hytten
- Aide to Major General
- (non citato nei titoli originali)
Claude King
- Major General Visiting Hospital
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe first of four films co-starring Constance Bennett with Joel McCrea, the other three being The Common Law (1931), Labbra proibite (1932), and Bed of Roses (1933).
- BlooperIn an early sequence set in 1918, Constance Bennett is shown playing a phonograph record on the Victor label--but the label is the "scroll design" Victor didn't use until 1925.
- Curiosità sui creditiDebut of actress Eily Malyon.
Recensione in evidenza
In BORN TO LOVE, Constance Bennett (Doris) and Joel McRea (Barry) are lovers who meet during the last weeks of the First World War. London is portrayed as a city in imminent danger of bombs from aircraft. They meet and predictably fall in love despite the chaos and confusion that surround them. There is an interesting scene in which they make love, one that is prudishly suggested off screen, yet one that in just a few years would have been banned by Hollywood as overtly salacious. The plot is the contrived package of Barry's reported death, forcing Doris to marry another. The second half of the film is less melodramatic and more of an acerbic commentary on the harshness of an English divorce system that allows a rich and titled husband to retain custody of a child over the wishes of a impecunious mother. There is an encoded ideology in the film that does not hide the fact that poor women who marry titled men can expect no mercy or kindness from a patriarchal legal system. BORN TO LOVE nevertheless carries the audience to a satisfying if not predictable conclusion of the need for true love to triumph over formidable societal obstacles.
- martinasiner@aol.com
- 2 ago 2005
- Permalink
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Dettagli
Botteghino
- Budget
- 338.000 USD (previsto)
- Tempo di esecuzione1 ora 21 minuti
- Colore
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By what name was Passione di mamma (1931) officially released in India in English?
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