VALUTAZIONE IMDb
5,8/10
370
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA war officer who is thought dead returns to the woman he loves, only to find that she has remarried.A war officer who is thought dead returns to the woman he loves, only to find that she has remarried.A war officer who is thought dead returns to the woman he loves, only to find that she has remarried.
Daisy Belmore
- Tibbetts - Nurse
- (non citato nei titoli originali)
Billy Bevan
- Departing British Soldier
- (non citato nei titoli originali)
Edmund Breon
- Tom Kent
- (non citato nei titoli originali)
Eddy Chandler
- Captain Peters
- (non citato nei titoli originali)
Jay Eaton
- Dancing Doughboy
- (non citato nei titoli originali)
Bill Elliott
- Dancing Doughboy
- (non citato nei titoli originali)
Fred Esmelton
- Ponsonby's Butler
- (non citato nei titoli originali)
Mary Forbes
- The Duchess
- (non citato nei titoli originali)
Elizabeth Forrester
- Evelyn Kent
- (non citato nei titoli originali)
Robert Greig
- Hansom Cabby
- (non citato nei titoli originali)
Olaf Hytten
- Aide to Major General
- (non citato nei titoli originali)
Claude King
- Major General Visiting Hospital
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe first of four films co-starring Constance Bennett with Joel McCrea, the other three being The Common Law (1931), Labbra proibite (1932), and Bed of Roses (1933).
- BlooperIn an early sequence set in 1918, Constance Bennett is shown playing a phonograph record on the Victor label--but the label is the "scroll design" Victor didn't use until 1925.
- Curiosità sui creditiDebut of actress Eily Malyon.
Recensione in evidenza
I saw the last part of this on TCM; it was Joel McCrea day.
It didn't really fit -- this is Constance Bennett's movie, 100%, and that's the problem. This has to be one of the worst performances of her career. Even making allowances for 1931, she is very histrionic and melodramatic, in all the worst, most silent-movie-cliché ways.
Technically, Paul L. Stein's direction is fine (for 1931), but it appears from this he was not an "actor's director". Oddly, Ms. Bennett's next film, "The Common Law," re-teamed her with director Stein and costar McCrea. It is better; not memorable, but at least she isn't painfully bad in this one.
It didn't really fit -- this is Constance Bennett's movie, 100%, and that's the problem. This has to be one of the worst performances of her career. Even making allowances for 1931, she is very histrionic and melodramatic, in all the worst, most silent-movie-cliché ways.
Technically, Paul L. Stein's direction is fine (for 1931), but it appears from this he was not an "actor's director". Oddly, Ms. Bennett's next film, "The Common Law," re-teamed her with director Stein and costar McCrea. It is better; not memorable, but at least she isn't painfully bad in this one.
- donrogers42
- 6 ago 2005
- Permalink
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Dettagli
Botteghino
- Budget
- 338.000 USD (previsto)
- Tempo di esecuzione1 ora 21 minuti
- Colore
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Divario superiore
By what name was Passione di mamma (1931) officially released in India in English?
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