VALUTAZIONE IMDb
7,0/10
1981
LA TUA VALUTAZIONE
Un uomo si unisce a una banda per liberare la sua ragazza dalla prigione.Un uomo si unisce a una banda per liberare la sua ragazza dalla prigione.Un uomo si unisce a una banda per liberare la sua ragazza dalla prigione.
- Premi
- 4 vittorie totali
William 'Stage' Boyd
- McCoy
- (as William Boyd)
Terry Carroll
- Prison Inmate
- (non citato nei titoli originali)
Allan Cavan
- Cop
- (non citato nei titoli originali)
Bill Elliott
- Nightclub Patron
- (non citato nei titoli originali)
Norman Foster
- Shooting Gallery Patron
- (non citato nei titoli originali)
Paulette Goddard
- Nightclub Patron
- (non citato nei titoli originali)
Bert Hanlon
- Baldy
- (non citato nei titoli originali)
A.R. Haysel
- Fourth Henchman
- (non citato nei titoli originali)
Matty Kemp
- Man Stabbed with Fork
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThis was Clara Bow's last film on her five-year contract, but due to her nervous breakdown, Sylvia Sidney replaced her after Nancy Carroll declined the part.
- BlooperWhen the henchman is talking to the out-of-town hit men, he gives Pop's address as beginning with a "6" before the scene cuts away. In the next scene, the address of the building is "165".
- ConnessioniFeatured in Hollywoodism: Jews, Movies and the American Dream (1998)
Recensione in evidenza
I saw this film last night at a "pre-Code" film festival, and I have to tell you that when Gary Cooper turned his head for his introductory close-up, the entire audience gasped. He was just that beautiful.
Cooper's looks aside, this film displays Rouben Mamoulian's directorial artistry to perfection. Wonderful scene-fades, creative camera angles, symbolic allusions--Mamoulian just keeps exploring the directorial medium and coming up with innovation.
This was Sylvia Sidney's first role in Hollywood, after her success on the New York stage, and she is just as lovely as a Gary Cooper leading lady ought to be. It's nice to see her in a role with a harder edge than many she was given--so often she looks like she's afraid she's about to be hit by someone.
There are lots of familiar faces in this film, including the wonderful Wynne Gibson. Most striking is Guy Kibbee, best known for playing fatuous rich men, as a grinning and mendacious hit-man.
There aren't nearly enough of these pre-Code films available on VHS or DVD, so if you can't find a pre-Code festival near you, try campaigning Turner Classic Movies for a broadcast! As for the reviewer who believes Gary Cooper was too stupid to have dialogue more complex than "Yep" or "Nope," he should perhaps consider Coop's performance in films such as "Mr Deeds Goes to Town" or "Meet John Doe." Although heaven knows anyone who looked that good shouldn't have to be smart as well.
Cooper's looks aside, this film displays Rouben Mamoulian's directorial artistry to perfection. Wonderful scene-fades, creative camera angles, symbolic allusions--Mamoulian just keeps exploring the directorial medium and coming up with innovation.
This was Sylvia Sidney's first role in Hollywood, after her success on the New York stage, and she is just as lovely as a Gary Cooper leading lady ought to be. It's nice to see her in a role with a harder edge than many she was given--so often she looks like she's afraid she's about to be hit by someone.
There are lots of familiar faces in this film, including the wonderful Wynne Gibson. Most striking is Guy Kibbee, best known for playing fatuous rich men, as a grinning and mendacious hit-man.
There aren't nearly enough of these pre-Code films available on VHS or DVD, so if you can't find a pre-Code festival near you, try campaigning Turner Classic Movies for a broadcast! As for the reviewer who believes Gary Cooper was too stupid to have dialogue more complex than "Yep" or "Nope," he should perhaps consider Coop's performance in films such as "Mr Deeds Goes to Town" or "Meet John Doe." Although heaven knows anyone who looked that good shouldn't have to be smart as well.
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Dettagli
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- City Streets
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- Tempo di esecuzione1 ora 23 minuti
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By what name was Le vie della città (1931) officially released in Canada in English?
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