VALUTAZIONE IMDb
6,2/10
1578
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA young woman jeopardizes the relationship with the man she loves when a no-account from her past shows up.A young woman jeopardizes the relationship with the man she loves when a no-account from her past shows up.A young woman jeopardizes the relationship with the man she loves when a no-account from her past shows up.
Jack Byron
- Party Guest
- (non citato nei titoli originali)
Jay Eaton
- Party Guest
- (non citato nei titoli originali)
Adolph Faylauer
- Ship's Passenger
- (non citato nei titoli originali)
James Ford
- Party Guest
- (non citato nei titoli originali)
Sam Lufkin
- Ship's Purser
- (non citato nei titoli originali)
Harry Watson
- Baseball Captain
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizContains an early audio jump cut: Gerry Trent in New York says, "Four-fifteen here. Let's see. Over there it must be ...", which cuts to Jim Woodward aboard ship, saying, "Nine-fifteen - we're away on time."
- Citazioni
Jim Woodward: Besides...I didn't think you noticed it.
Geraldine Trent: I tried not to--for some time.
Jim Woodward: Oh, ho--after all, my dear: a man must live!
Geraldine Trent: I've often wondered why it was necessary in some cases.
- Colonne sonoreIf You Haven't Got Love
(uncredited)
Music by Ray Henderson
Lyrics by Buddy G. DeSylva and Lew Brown
Performed by Gloria Swanson
Played during the opening credits and as background music; sung by Gloria Swanson just before she meets Tony Blake.
Recensione in evidenza
Not by any means a good film (which even director McCarey admits -- see his interview with Peter Bogdanovich in "Who the Devil Made It"), but nonetheless an interesting one. As McCarey points out, the beginning of sound was a difficult period in the film industry, and this one suffered from the "no more musicals!" diktat which followed -- of course -- several musical flops. So the script -- originally a musical by the great team of DeSylva, Brown and Henderson -- was divested of most of its songs and rewritten in ten days. "How was that?," asks Bogdanovich. "Lousy," says McCarey. Well, yes, it's strangely unfocused, veering nervously between comedy and melodrama, and making the viewer nervous withal. Yet it is fascinating to watch Miss Swanson, who, in one of her first sound pictures, combines the gestural grace of the best silent acting with an already secure command of the more naturalistic technique of sound film acting (and has a better than decent singing voice, besides). As with many 1930-31 releases, this one is plagued by a very uneven soundtrack -- one marvels that these problems were so fully overcome within a year or two. Supporting players include Maude Eburne, charmingly blowzy in a Marie Dressler role, and the actor whose most famous performance is that of Katherine Hepburn's father in "Holiday" -- here playing more pleasantly a similar (though slightly less obnoxious) role. Arthur Lake, best known as Dagwood Bumstead, is not easy to watch, but Ben Lyon makes quite a reasonably handsome and charming leading man. Obviously a very uneven film, but worth seeing for its minor virtues.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Careless Heart
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 32 minuti
- Colore
- Mix di suoni
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By what name was Indiscreet (1931) officially released in Canada in English?
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