Aggiungi una trama nella tua linguaEvents take an unhappy turn for two Bill and Jack, two locomotive engineers, after Bill is attracted to his best friend's wife.Events take an unhappy turn for two Bill and Jack, two locomotive engineers, after Bill is attracted to his best friend's wife.Events take an unhappy turn for two Bill and Jack, two locomotive engineers, after Bill is attracted to his best friend's wife.
- Railroad Worker at Lunch Counter
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- Yardmaster
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- Railroad Worker at Lunch Counter
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- Railroad Worker
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- Railroad Worker
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- Miss Astor - Bill's Landlady
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- QuizAlthough the title card bears a 1930 copyright statement, this film was apparently never copyrighted, under either of its two titles. It was completed in mid-1930, and reviewed in Motion Picture Herald 4 October 1930, and in Photoplay Magazine in December 1930, but did not open in New York City until April 1931.
- BlooperWhen Bill and Lily are embracing in the kitchen in front of the stove the moving shadow of the boom microphone is visible on the wall below the window behind them.
- Citazioni
[behind the lunch counter at the railroad yard, gum-chewing waitress Marie hears a train whistle - her cue to get ready to meet her boyfriend, Bill]
Marie: [taking off her apron] Anything else you guys want?
Railroad worker at Lunch Counter: Yeah, gimme a big slice a' you on toast, and some French-fried potatoes on the side.
Marie: [taking out her compact and powdering her face] Listen, baby, I'm A.P.O.
Railroad worker at Lunch Counter: [to the other railroad worker] What does she mean, A.P.O.?
Marie: Ain't Puttin' Out! Besides, I'm Bill White's girl, and I'm a one-man woman.
Railroad worker at Lunch Counter: That's a hot one, Marie.
Marie: Whattaya mean "that's a hot one"?
Railroad worker at Lunch Counter: Didn't I see you down ta Fishbeck's Dance Hall with Elmer Brown?
Marie: Oh yeah. Elmer's a kind of a cousin of mine.
Railroad worker at Lunch Counter: Oh! Some cousins are sure affectionate.
Marie: Nevertheless, he's my distant cousin.
Railroad worker at Lunch Counter: That's her story, and she's gonna stick to it.
Marie: It's the story Bill's gonna hear unless you guys do some broadcasting of your own.
Railroad worker at Lunch Counter: Well, don't worry. Not me. I ain't gonna get in no trouble.
Marie: [walking toward the door] Then stop shootin' off your big mouth.
Railroad worker at Lunch Counter: Hey Marie. Wouldja gimme a flock a' donuts with small holes?
Marie: [at the door, hand on hip] If there're any small holes around here, I'll eat 'em myself.
[the men laugh as she leaves the diner]
- Colonne sonoreWherever You Stray, Wherever You Go
(uncredited)
Composer unknown
Sung a cappella by Grant Withers, J. Farrell MacDonald and Mary Astor
Not that the leads give bad performances, but charisma can't be kept down. Toomey is a railroad worker married to Astor and one night he brings an inebriated Grant Withers home to sleep it off. Turns out that Withers and Astor knew each other back in the day and before long the love sparks start going off.
Around this time Grant Withers was married to Loretta Young ever so briefly, but in Young's Catholic tradition, the marriage was annulled due to his real life drinking and carousing. Withers's excesses led his career on a downward spiral and he took work where he got it and in mostly lower grade films until his suicide in 1959. John Wayne tried to use him in films when he could. Withers would appear in support of James Cagney in 1954 in Run for Cover as a western outlaw leader.
Toomey was a very competent character actor, but just not lead material. Still he does well and in a few years he'd be supporting James Cagney in G-Men. Mary Astor is fine, but far from Brigid O'Shaughnessy, you'd never know it was the same actress.
Cagney as a friend to both Withers and Toomey and Blondell in an early gem of a part as a wisecracking waitress, show exactly why they would rise to the top of the Warner Brothers pecking order.
William Wellman did some very nice location photography in and around the railroad yards, very similar in fact to that done by John Frankenheimer in The Train. And Wellman got good performances from his cast.
But I'm sure he had no doubt as to who a future star was.
- bkoganbing
- 12 dic 2007
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