VALUTAZIONE IMDb
7,2/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAn entrepreneur will let nothing stand in his way of acquiring a 100-story office building.An entrepreneur will let nothing stand in his way of acquiring a 100-story office building.An entrepreneur will let nothing stand in his way of acquiring a 100-story office building.
Richard Alexander
- Man Tom Bumps Into
- (non citato nei titoli originali)
Oscar Apfel
- Brewster's Associate
- (non citato nei titoli originali)
Frank Atkinson
- Waiter At Party
- (non citato nei titoli originali)
Reginald Barlow
- Brewster's Associate
- (non citato nei titoli originali)
Harry C. Bradley
- Johnson, Dwight's Secretary
- (non citato nei titoli originali)
Edward Brophy
- Man in Elevator
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizBoris Karloff: (at around 20 mins) Approaching a ticket counter as Tom (Norman Foster) takes his leave. During filming of The Mask of Fu Manchu (1932), Boris Karloff took time off to appear in this film; the camera immediately cuts away once the actor appears, so the purpose behind his cameo seems to have been deleted.
- BlooperWhen Lynn is working late, as she leaves Tom to bring the unfinished report to Mr. Dwight, the moving shadow of the boom mic is visible on the wall by the door.
- Citazioni
David 'Dave' Dwight: Hello, Ham old egg! How are ya?
'Ham' Hamilton: [as they shake hands] Fine.
David 'Dave' Dwight: How's your wife?
'Ham' Hamilton: Splendid. She's in Egypt, digging up ruins.
David 'Dave' Dwight: Oh, she seems to like ruins,
[looks down at Hamilton's feet]
David 'Dave' Dwight: especially with spats on.
- ConnessioniFeatured in Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood (2008)
Recensione in evidenza
Ultra charming megalomaniac David Dwight (played by Warren William at his most dastardly) will stop at nothing to realize his dream of having total control of New York's tallest (it dwarfs the Empire State Building a few clouds down) skyscraper. By way of style and guile he leads investors into a trap in order to solidify his power base. A bit of a lecher as well he manages to seduce a new secretary who happens to be the niece of his executive secretary / mistress. Exuding ultra confidence Dwight triumphs in both arenas but soon finds himself out on a precarious ledge.
William plays Dwight with passionate bravado and gentle understanding. He charms everyone, including the audience for the first hour as he turns it on for investors and lovers with devastating results. His drive and ambition however bring out the Mr. Hyde in him as he callously jettisons both to achieve aim. William's, pitch perfect snake is greatly aided by William Daniel's cinematography which captures the strikingly lit futuristic slick and sleek interiors provided by Cedric Gibbons and company creating an ideal stage for Dwight's messianic harangues and seductions.
The supporting cast led by Gregory Ratoff, Verree Teasdale and Anita Page down to the minor supporting roles of duped investors are substantive and crucial. The film's biggest misstep is the handling of comic relief through Norman Foster's Harold Llyod like bank teller Romeo. Granted the film is dark but Forster (who would eventually go on to become the most commercially successful film director in history) is little more than obnoxiously abrasive and an annoying distraction.
In addition to the fine cast and luridly engrossing story line there is some powerful exterior imagery that makes for a powerhouse climax as well as the surrealistic image of the newly erected, inferior sized Empire that still has the same impact today.
Made prior to film censorship, Skyscraper Souls allows the conniving Dwight to vividly display his duplicity with élan and without regret. Released during the bleakest days of The Depression it is an uncompromisingly dark portrait for its time that still resonates eight decades later amid investment house failures and in personages that run from Trump to Madoff.
William plays Dwight with passionate bravado and gentle understanding. He charms everyone, including the audience for the first hour as he turns it on for investors and lovers with devastating results. His drive and ambition however bring out the Mr. Hyde in him as he callously jettisons both to achieve aim. William's, pitch perfect snake is greatly aided by William Daniel's cinematography which captures the strikingly lit futuristic slick and sleek interiors provided by Cedric Gibbons and company creating an ideal stage for Dwight's messianic harangues and seductions.
The supporting cast led by Gregory Ratoff, Verree Teasdale and Anita Page down to the minor supporting roles of duped investors are substantive and crucial. The film's biggest misstep is the handling of comic relief through Norman Foster's Harold Llyod like bank teller Romeo. Granted the film is dark but Forster (who would eventually go on to become the most commercially successful film director in history) is little more than obnoxiously abrasive and an annoying distraction.
In addition to the fine cast and luridly engrossing story line there is some powerful exterior imagery that makes for a powerhouse climax as well as the surrealistic image of the newly erected, inferior sized Empire that still has the same impact today.
Made prior to film censorship, Skyscraper Souls allows the conniving Dwight to vividly display his duplicity with élan and without regret. Released during the bleakest days of The Depression it is an uncompromisingly dark portrait for its time that still resonates eight decades later amid investment house failures and in personages that run from Trump to Madoff.
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Dettagli
Botteghino
- Budget
- 382.000 USD (previsto)
- Tempo di esecuzione1 ora 39 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was Skyscraper Souls (1932) officially released in India in English?
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