Aggiungi una trama nella tua linguaAn ambitious mechanic is tempted to desert his wonderful girlfriend when a silly but rich debutante falls for him.An ambitious mechanic is tempted to desert his wonderful girlfriend when a silly but rich debutante falls for him.An ambitious mechanic is tempted to desert his wonderful girlfriend when a silly but rich debutante falls for him.
Marian Nixon
- Glory Franklyn
- (as Marion Nixon)
Herman Bing
- Franklyn's Chauffeur
- (non citato nei titoli originali)
Harry Bowen
- First Reporter
- (non citato nei titoli originali)
Stephen Chase
- Betty's Escort
- (non citato nei titoli originali)
Helen Freeman
- Franklyn's Guest
- (non citato nei titoli originali)
Betty Furness
- Betty
- (non citato nei titoli originali)
Thelma Hardwick
- Miss Bruce
- (non citato nei titoli originali)
Dennis Morgan
- Party Guest
- (non citato nei titoli originali)
Nancy Shubert
- Girl
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizOne joke needs explanation. When Joel McCrea brings his bride to their new house, he says that it's all theirs: "No plaster!" She says, "Oh, that's all right, dear. We can have it put on later." In contemporary slang, a plaster was a mortgage.
- Citazioni
Blacky Gorman: Funny how a good kick in the pants will make a guy's head work.
- Colonne sonoreLondon Bridge is Falling Down
(uncredited)
Traditional
Sung a cappella by Ginger Rogers and Joel McCrea
Recensione in evidenza
If you ever wanted to examine a case study of what it was like to be a contract player at RKO in the early 1930s, check out Chance at Heaven (CAH). Ginger Rogers had just made her breakout movie Flying Down to Rio with Fred Astaire. Both of their roles supported featured players Dolores Del Rio and Gene Raymond, but Astaire-Rogers are the actors who are best remembered from that film today. Their dance routine of The Carioca is the principal reason why Flying Down to Rio is recalled at all now. It was sensational!
What does RKO do to showcase Rogers as an emerging star who had just completed a hit movie? They immediately cast her in a relatively thankless part as Joel McCrea's long suffering martyr of a girl friend in CAH! The character Rogers plays is so good--so understanding---so generous in her self-sacrifice---that it defies belief and almost becomes a complete caricature. When she loses McCrea to ditzy rich girl Marian Nixon, we are asked to accept as perfectly normal that Rogers is willing to morph into a glorified domestic servant---and thrives at essentially becoming their "door mat.." Rogers had a naturally charming and often spirited screen personality that remained totally invisible in CAH. What a pity!
While Rogers, McCrea and Nixon gave the film their best effort, in the end---they were severely challenged by the overly familiar storyline and its many cliches. In the case of Ginger Rogers, she would have to labor at RKO for one more year and make five more undistinguished movies before she and Astaire starred in their seminal musical The Gay Divorcee and thus attained screen immortality.
The Studio System provided an excellent basis for neophyte performers to develop necessary skills and achieve interesting and popular screen personalities. They often went from one unsatisfactory part to another, and had little to say about the process. It often produced frustration and disappointment--but a contract was a contract! Out of all this stress occasionally emerged some truly unique movie talent. Particularly in the case of Ginger Rogers and Joel McCrea---both went on from the rather inconsequential CAH to become movie stars of the first rank---and accordingly reached major success with top notch careers. As the saying goes---the longest journey begins with the first step (even if it is a minor one)!
What does RKO do to showcase Rogers as an emerging star who had just completed a hit movie? They immediately cast her in a relatively thankless part as Joel McCrea's long suffering martyr of a girl friend in CAH! The character Rogers plays is so good--so understanding---so generous in her self-sacrifice---that it defies belief and almost becomes a complete caricature. When she loses McCrea to ditzy rich girl Marian Nixon, we are asked to accept as perfectly normal that Rogers is willing to morph into a glorified domestic servant---and thrives at essentially becoming their "door mat.." Rogers had a naturally charming and often spirited screen personality that remained totally invisible in CAH. What a pity!
While Rogers, McCrea and Nixon gave the film their best effort, in the end---they were severely challenged by the overly familiar storyline and its many cliches. In the case of Ginger Rogers, she would have to labor at RKO for one more year and make five more undistinguished movies before she and Astaire starred in their seminal musical The Gay Divorcee and thus attained screen immortality.
The Studio System provided an excellent basis for neophyte performers to develop necessary skills and achieve interesting and popular screen personalities. They often went from one unsatisfactory part to another, and had little to say about the process. It often produced frustration and disappointment--but a contract was a contract! Out of all this stress occasionally emerged some truly unique movie talent. Particularly in the case of Ginger Rogers and Joel McCrea---both went on from the rather inconsequential CAH to become movie stars of the first rank---and accordingly reached major success with top notch careers. As the saying goes---the longest journey begins with the first step (even if it is a minor one)!
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Tres corazones en juego
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 11 minuti
- Colore
- Proporzioni
- 1.37 : 1
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Divario superiore
By what name was Chance at Heaven (1933) officially released in India in English?
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