VALUTAZIONE IMDb
6,3/10
1723
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAlthough free spirit Helen Bauer does not believe in marriage, she consents to marry Don, but his infidelities cause her to also take on a lover.Although free spirit Helen Bauer does not believe in marriage, she consents to marry Don, but his infidelities cause her to also take on a lover.Although free spirit Helen Bauer does not believe in marriage, she consents to marry Don, but his infidelities cause her to also take on a lover.
George Beranger
- Dinner Guest
- (non citato nei titoli originali)
- …
Edna Callahan
- Blonde at Painting Exhibition
- (non citato nei titoli originali)
Maxine Cantway
- Hat Check Girl
- (non citato nei titoli originali)
Armand Kaliz
- Man Flirting with Iris
- (non citato nei titoli originali)
William H. O'Brien
- Butler
- (non citato nei titoli originali)
Hedwiga Reicher
- Vocalist at Dinner Party
- (non citato nei titoli originali)
Gay Seabrook
- Miss Seymour
- (non citato nei titoli originali)
Billy West
- Panhandler
- (non citato nei titoli originali)
Renee Whitney
- Party Guest
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizIn 1962, producer-director Robert Aldrich was preparing the prologue to Che fine ha fatto Baby Jane? (1962). He chose a scene from Uomini nello spazio (1933) and this film to document the fact that the young Jane was a flop as a movie star.
- BlooperIn the last scene, when Don speaks his final line to Helen, his lips do not move. The audio was obviously added after filming ended.
- Citazioni
Hugo Van Hugh: Love, and life, and laughter!
- ConnessioniFeatured in Che fine ha fatto Baby Jane? (1962)
- Colonne sonoreWhy Can't This Night Go On Forever?
(uncredited)
Music by Isham Jones
Played during the opening credits and often in the score
Recensione in evidenza
I saw this film expecting an early Bette Davis effort of somewhat questionable value. Instead I found a highly entertaining film which made an artistic mark. The acting by Davis is, of course, always worth watching, but what really set this film apart was the script and the mise-en-scene.
The script, while not a masterpiece, is considerably above the norm. It is witty, and understanding of the desires, pride and foolishness of young, intelligent people in love. Bette plays it superbly with a slightly bored, worldly-wise exterior, and a passionate but somehow innocent interior. She is the focus of the film, the other actors being mainly satellites around her. They do a competent job, but the show is all hers.
The Deco sets were designed by someone with an obvious artistic talent and a flare for that style. Just looking at the sets and the costumes is worth the price of seeing the film. What is a real surprise is that the director used Bette as a kind of art object. The way she would pose and slouch, the style and color of her hair, the way she would hold her cigarette, her glass, the way she would arrange her body, and her expression so completely complement these lavish sets as to be a art display in themselves. This movie would be entertaining if you turned off the sound track and just watched the visuals - it is that good.
I am completely unfamiliar with the director, Robert Florey. In looking over the names of his films, none stand out for me as films of importance. Apparently he was awarded a French medal for his contributions to Cinema. If this film is any indication, and if he is truly responsible for the artistic elements in this film, then he is a very overlooked and important director.
The script, while not a masterpiece, is considerably above the norm. It is witty, and understanding of the desires, pride and foolishness of young, intelligent people in love. Bette plays it superbly with a slightly bored, worldly-wise exterior, and a passionate but somehow innocent interior. She is the focus of the film, the other actors being mainly satellites around her. They do a competent job, but the show is all hers.
The Deco sets were designed by someone with an obvious artistic talent and a flare for that style. Just looking at the sets and the costumes is worth the price of seeing the film. What is a real surprise is that the director used Bette as a kind of art object. The way she would pose and slouch, the style and color of her hair, the way she would hold her cigarette, her glass, the way she would arrange her body, and her expression so completely complement these lavish sets as to be a art display in themselves. This movie would be entertaining if you turned off the sound track and just watched the visuals - it is that good.
I am completely unfamiliar with the director, Robert Florey. In looking over the names of his films, none stand out for me as films of importance. Apparently he was awarded a French medal for his contributions to Cinema. If this film is any indication, and if he is truly responsible for the artistic elements in this film, then he is a very overlooked and important director.
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Бывшая возлюбленная
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 93.000 USD (previsto)
- Tempo di esecuzione1 ora 7 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.37 : 1
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