The Boogie Man Will Get You

The title, "The Boogie Man Will Get You" should give you an idea of the sort of film you're going to see. Its basically a minor horror/comedy played out more or less like a Three Stooges comedy with a budget. For stars Boris Karloff and Peter Lorre, it was probably a welcome change of pace from the roles both had been playing. The story is similar in many ways to "Arsenic and Old Lace" a hit Broadway play of the day in which Karloff had been starring.

Two eccentrics, Professor Nathaniel Billings (Karloff) and Amelia Jones (Maude Eburne) live in a run down old Colonial Inn which they have put up for sale. A young lady Winnie Layden (Jeff Donnell) comes to look over the place and decides to buy it. As a condition of the sale Billings asks that he, Amelia and handyman Ebenezer (George McKay) be allowed to stay so that Billings can complete his experiments in the building's basement.

The mortgage holder Dr. Lorentz (Lorre), who is also the sheriff, the coroner and the Justice of the Peace, among other titles, arrives. Billings gleefully pays off his mortgage and Winnie takes title to the property just as her former husband Bill (Larry Parks) arrives to try for some unknown reason to prevent her from buying the Inn.

Meanwhile Billings continues his experiments to try to perfect a super human, but his test subject apparently dies. Bill discovers the body in the basement and he and Winnie report the crime to Lorenz in his role of the town sheriff. On investigating, Lorenz learns of Billings plans and wants in on the action. He also discovers that there are also four other "test subjects" laid out in the next room.

A "ballet master", J. Gilbert Brampton arrives at the Inn and begins to snoop around. A traveling powder puff salesman (Maxie Rosenbloom) arrives and Billings and Lorentz plan to make him their next "test subject". An escaped fascist prisoner (Frank Paglia) also drops in and threatens to blow everybody up. Two cops (Frank Sully, James Morton) arrive to investigate a reported murder.

Everything manages to get sorted out in the end.

The film leaves a few unanswered questions such as "Where did Winnie get all of the cash?, Why were Bill and Winnie divorced?, Who was really making the Indian whooping noise? and What was the "arrangement", if any between Billings and Amelia? And beware of the typical Hollywood Production Code ending. This was Karloff's final film on his Columbia contract and he would be off the screen until 1944's "The Climax" while he continued to appear in "Arsenic and Old Lace", which by the way prevented him from getting a part in the 1944 film version.

The two leads seem to enjoy all of this nonsense and both would appear in comedic parts over the years for the rest of their careers.

The Boogie Man Will Get You marks the first joint appearance of Boris Karloff and Peter Lorre in the same film. Both certainly could qualify as Boogie Men for the title, both frightened movie goers for generations. This was their first joint screen appearance and the first film where they spoofed their own images.

Karloff is a scientist of the mad kind who boards in an old colonial type inn that is run by an equally screwy couple George McKay and Maude Eburne. Lorre is the county sheriff and kind of a Grand Pooh Bah of the region, he's everything else official. When he discovers Karloff is experimenting on making zombie like supermen for the war effort, rather than arrest him Peter's intrigued even though five fatalities might be traced to Karloff's experiments.

There's also quarreling couple Jeff Donnell who wants to buy the old inn and Larry Parks her estranged husband who says no. Add to that Maxie Rosenbloom who plays Lorre's amiable lunkhead retainer and you've got a first rate spoof of horror pictures.

Certainly Karloff and Lorre showed they had a flair for comedy which would pop up every so often in their credits midst all the fiendish parts they did play.

Very funny film, should not be missed by fans of either Karloff or Lorre.

Though conceived as a quickie ripoff of "Arsenic and Old Lace," "Boogie Man" now seems more like a weird precursor of "Green Acres," featuring (Miss) Jeff Donnell as a sort of young female Eddie Albert, and Boris Karloff in what might be called the Eva Gabor position, spoofing his kindly old mad scientist roles as a semi-senile inventor attempting to create a race of electrically enhanced supermen in the basement of a crumbling colonial inn while Miss Donnell joyously appraises all the charming old antiques upstairs. Peter Lorre, of all people, gives a rare comic performance as the local version of Mr. Haney, running around dressed like Robert Mitchum in "Night of the Hunter," with a cute little Siamese kitten in his pocket that he periodically coos to in German. This is the sort of movie you used to catch one night on the late late show, and wonder for years afterwards if you'd actually seen it or just dreamt it.

A curious film which weaves satirical comments about World War Two into a modified "Arsenic and Old Lace" theme, together with an implicit weakness of technology and what passes for science. The strongest satire revolves around nutty Professor Nathaniel Billings (Boris Karloff), a mad but seemingly harmless scientist, whose attempt at creating a superman is so close to Hitler's expressed plan for a superman race that the parallel cannot be ignored. The film was produced during a time of military victories for the Axis powers, at a point in World War Two when the Allies were all but powerless to resist. Satire seemed the only sure weapon. As a movie, it's great fun, with a cast much too sophisticated for both the plot and the script. In effect, the acting skill of both Karloff and Peter Lorre (as Dr Lorenz) are the film's salvation. As wacky as the characters are, they seem plausible representations of real folks, which makes one wonder who, indeed, is really in charge of the asylum.

(Miss) Jeff Donnell (yes, that's how she's billed) plays a woman who loves the charm of anything antique and buys a rundown old inn to renovate, much to the dismay of her ex-husband, Larry Parks. These two are fine in their roles as the squabbling exes, but honestly those parts are secondary to the real stars of the picture, Boris Karloff and Peter Lorre.

Karloff owns the place, but is being evicted and needs Donnell's cash. He asks only to stay on to finish his 'experiments' in the basement: Karloff, as sweet and grandfatherly as can be, has created a machine he's sure can turn a mere mortal into superman and win the war..unfortunately, glitches in the procedure have produced nothing except the five bodies in the wine cellar. Also staying are the chicken-obsessed housekeeper (Maude Eburne) and a handyman who likes to carry his piglets about the house.

To make the sale legal, they call in Peter Lorre..the local mayor/coroner/sheriff/seller of insurance and hair tonic. Lorre's character is terrific--dressed all in black with a cute little kitten in his pocket. Parks sees bodies (that vanish) and Donnell thinks he's just trying to scare her, and she continues to believe the loony characters are just dears. When Lorre finds out about the bodies, he doesn't make an arrest--he suggests Karloff cut him in on the invention, and they are thrilled when Maxie Rosenbloom knocks on the door selling powder puffs (all the 'subjects' were salesmen) so they crank up the machine one more time. Things go from wacky to full-blown chaos to tie up all the loose plot strings.

This was obviously a take on "Arsenic and Old Lace"..Parks is no Cary Grant and this is not on a par with that classic comedy, but it is just silly enough to be charming, and worth seeing if only for Lorre and Karloff in a comic/satirical take of their usual frightful roles.