Aggiungi una trama nella tua linguaAfter one member of their group is murdered, the performers at a burlesque house must work together to find out who the killer is before he strikes again.After one member of their group is murdered, the performers at a burlesque house must work together to find out who the killer is before he strikes again.After one member of their group is murdered, the performers at a burlesque house must work together to find out who the killer is before he strikes again.
- Candidato a 1 Oscar
- 1 candidatura in totale
- Officer Pat Kelly
- (as Eddie Gordon)
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- QuizAlthough it's pretty obvious, the broken-down bathroom fixture discussed by the members of the troupe is none other than a toilet. The Production Code wouldn't allow the offending word to be uttered or shown, and when the replacement arrives, it's a bathroom sink.
- BlooperWhen Dixie comes up from the cellar after the raid, there are burlesque actors fighting with cops in the background. This comes after Foss had already calmed everything down and was bringing limos to escort the cast to the police station. The girls in the background can be identified as ones that were on the stage in the previous scene.
- Citazioni
Biff: What's the matter with comics?
Dixie: I went into show business when I was seven years old. Two days later the first comic I ever met stole my piggy bank in a railroad station in Portland. When I was eleven the comics were looking at my ankles. When I was fourteen they were... just looking. When I was twenty I'd been stuck with enough lunch checks to pay for a three-story house. Naw, they're shiftless, dame-chasing, ambitionless...
- ConnessioniEdited into Terror in the Pharaoh's Tomb (2007)
- Colonne sonoreTake It Off the E-String
Written by Sammy Cahn (as Sammy Kahn) and Harry Akst
Performed by Barbara Stanwyck (uncredited)
It's based on The G-String Murders, a light mystery penned by society stripper Gypsy Rose Lee (her own story became legend in Gypsy, and her sister. Baby June, became actress June Havoc). But the mystery emerges late and, like the obligatory love angle, doesn't unduly detract from the movie's main business, which is a salty and affectionate reminiscence of the autumn of vaudeville's ne'er-do-well stepsister, burlesque, set, like all the best show-biz stories, backstage.
William Wellman gets things popping right off the bat, in a Ziegfeld-Follies like number in which one of the prancing chorines keeps trying to blow her Veronica-Lake locks out of her face. Then there's a fast seque into Stanwyck's `Take It Off The E-String (Play It On The G-String),' then upstairs to the horror of a dressing room where the big, pale girls gussy themselves up and rip one another up one side and down the other. Their smart, snapping mouths recall the bitchiest exchanges in Stage Door, another racy peek into stage life after the curtain's rung down (among the grind-house queens are Iris Adrian, Victoria Faust, Janis Carter and Stephanie Bachelor). Another dressing room houses the men the comics with their wide pants and tiny hats (Pinky Lee among them); Wellman even throws in some of their hoary routines but counterpoints them against offstage action to offset their stale-popcorn fustiness.
Police raids and gangster boyfriends, professional jealousies and box-office worries play as much a role in the movie as a series of ecdysiasts strangled with their own beadwork. With Wellman at the helm and an enviable if not, apart from Stanwyck, especially starry cast, Lady of Burlesque delivers lots more than it promises.
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Dettagli
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Proporzioni
- 1.37 : 1