Aggiungi una trama nella tua linguaA university chemistry professor experiments with an ancient Mayan gas on a medical student, turning the would-be surgeon into a murdering ghoul.A university chemistry professor experiments with an ancient Mayan gas on a medical student, turning the would-be surgeon into a murdering ghoul.A university chemistry professor experiments with an ancient Mayan gas on a medical student, turning the would-be surgeon into a murdering ghoul.
Lillian Cornell
- Isabel's Singing Voice
- (voce)
- (non citato nei titoli originali)
Bess Flowers
- Woman in Audience
- (non citato nei titoli originali)
Gus Glassmire
- Caretaker
- (non citato nei titoli originali)
Chuck Hamilton
- Policeman
- (non citato nei titoli originali)
Hans Herbert
- Attendant
- (non citato nei titoli originali)
Isabel La Mal
- Maid
- (non citato nei titoli originali)
Mike Lally
- Reporter
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizEvelyn Ankers hoped to do her own singing for the film, but because of the tight production schedule producer Ben Pivar used stock recordings of Lillian Cornell for the scenes in which Ankers' character sings (and the songs are obviously older recordings since their sound quality is inferior to the rest of the soundtrack).
- Citazioni
Dr. Alfred Morris: [Responding to the corpse sitting up and pulling a gun on him] Reports of your death seem to be greatly exaggerated.
- ConnessioniFeatured in Son of Svengoolie: The Mad Ghoul (1943) (1980)
- Colonne sonoreI Dreamt I Dwelt in Marble Halls
(uncredited)
from "The Bohemian Girl"
Music by Michael William Balfe
Lyrics by Alfred Bunn
Sung by Evelyn Ankers (dubbed by Lillian Cornell)
Recensione in evidenza
Lovely concert singer Isabel Lewis (Evelyn Ankers) is engaged to marry medical student Ted Allison (David Bruce.) When she unexpectedly falls in love with her pianist Eric Iverson (a very suave Turhan Bey), she turns to Ted's laboratory boss Dr. Morris (George Zucco.) But it happens that Dr. Morris is in love with Isabel himself, and he decides to get rid of his assistant by subjecting him to ancient Mayan gas! Unfortunately for Ted, this gas is of a particularly nasty sort: it transforms him into a zombie-like creature. Under the control of Dr. Morris, Ted then participates in gathering the human hearts he must have for injections that allow him to return, temporarily, to normal.
The idea for this story seems to arise from a number of sources, most particularly the silent classic THE CABINET OF DR. CALIGARI, the various versions of DR. JEKYLL AND MR. HYDE, and THE RETURN OF DR. X--the latter a particularly peculiar B-flick featuring an unexpected Humphrey Bogart as a lab-created vampire of sorts. It other hands, the concept might have worked quite well, but although the cast is accomplished and the production values are generally quite good, the make-up effects are hardly up to the Universal standard, the pace is slow, and the script is quite dire.
The film makes no effort to create any sort of "transformation" when actor David Bruce goes from golly-gee lab assistant to shambling zombie; it is a straight cut-away, cut-back-to shot, and the latter finds him in uninspired make-up and with very untidy hair. Director James P. Hogan maintains a pace every bit as leaden-footed as the zombie, and as for the script... well, it is probably this sort of script that Evelyn Ankers, the studio's "Scream Queen" of the 1940s, had in mind when she walked away from Universal a year later. Given the talents of the cast and the overall look of the film, which (make-up effects aside) is handsomely mounted, I find it difficult to give this film less than three stars. All the same, I greatly doubt that THE MAD GHOUL will have any appeal for those outside the circle die-hard Universal horror fans.
GFT, Amazon Reviewer
The idea for this story seems to arise from a number of sources, most particularly the silent classic THE CABINET OF DR. CALIGARI, the various versions of DR. JEKYLL AND MR. HYDE, and THE RETURN OF DR. X--the latter a particularly peculiar B-flick featuring an unexpected Humphrey Bogart as a lab-created vampire of sorts. It other hands, the concept might have worked quite well, but although the cast is accomplished and the production values are generally quite good, the make-up effects are hardly up to the Universal standard, the pace is slow, and the script is quite dire.
The film makes no effort to create any sort of "transformation" when actor David Bruce goes from golly-gee lab assistant to shambling zombie; it is a straight cut-away, cut-back-to shot, and the latter finds him in uninspired make-up and with very untidy hair. Director James P. Hogan maintains a pace every bit as leaden-footed as the zombie, and as for the script... well, it is probably this sort of script that Evelyn Ankers, the studio's "Scream Queen" of the 1940s, had in mind when she walked away from Universal a year later. Given the talents of the cast and the overall look of the film, which (make-up effects aside) is handsomely mounted, I find it difficult to give this film less than three stars. All the same, I greatly doubt that THE MAD GHOUL will have any appeal for those outside the circle die-hard Universal horror fans.
GFT, Amazon Reviewer
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Mystery of the Ghoul
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 5 minuti
- Colore
- Proporzioni
- 1.37 : 1
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Divario superiore
By what name was The Mad Ghoul (1943) officially released in India in English?
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