VALUTAZIONE IMDb
6,7/10
8224
LA TUA VALUTAZIONE
Una donna in cerca della sorella scomparsa scopre un culto satanico nel Greenwich Village di New York e scopre che potrebbero essere coinvolti nella sua scomparsa.Una donna in cerca della sorella scomparsa scopre un culto satanico nel Greenwich Village di New York e scopre che potrebbero essere coinvolti nella sua scomparsa.Una donna in cerca della sorella scomparsa scopre un culto satanico nel Greenwich Village di New York e scopre che potrebbero essere coinvolti nella sua scomparsa.
- Premi
- 4 candidature totali
Joan Barclay
- Gladys
- (non citato nei titoli originali)
Patti Brill
- Minor Role
- (non citato nei titoli originali)
Wally Brown
- Durk
- (non citato nei titoli originali)
Feodor Chaliapin Jr.
- Leo
- (non citato nei titoli originali)
Wheaton Chambers
- Missing Girl's Father
- (non citato nei titoli originali)
James Conaty
- Party Guest
- (non citato nei titoli originali)
Edith Conrad
- Minor Role
- (non citato nei titoli originali)
Kernan Cripps
- Police Officer Danny
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizErford Gage, who played the poet Jason Hoag, enlisted in the U.S. Army in August 1943 (around the time this film was released) and was killed in action in the Phillipines in March 1945.
- BlooperThe opening text reads: "I run from death, and death meets me as fast, And all my pleasures are like yesterday." The movie attributes the quote to John Donne's Holy Sonnet #7. But it is actually from Holy Sonnet #1.
- Curiosità sui crediti[title after starting credits] I runne to death, and death meets me as fast, and all my pleasures are like yesterday. Holy sonnet #VII Jonne Donne
- Versioni alternativeExists in a computer-colorized version
- ConnessioniFeatured in Aweful Movies with Deadly Earnest: The Seventh Victim (1967)
- Colonne sonoreMay Heaven Forgive You
(uncredited)
From "Martha"
Music by Friedrich von Flotow
Arranged by Roy Webb
[The tune playing on the barrel organ as Mary goes to the Dante for the first time]
Recensione in evidenza
What "The 7th Victim" has going for it is its uniqueness. It certainly is unlike any film from that era that I remember seeing.
This is one of those films that it helps to know nothing about before viewing. To read any sort of capsule about the flick would definitely take away from the enjoyment of the film.
Having said that, I am not totally satisfied with the payoffs the movie provides. There are too many gaps in logic, combined with a bit too much moralizing. Some people find themselves in situations in this film that just simply seem to lack any credibility.
For some fascinating sequences (most notably, one that takes place in a shower and seems to have been seen by Alfred Hitchcock) this film is definitely worth a look-see.
For me, the individual elements of the film was far more interesting than the sum of its parts.
This is one of those films that it helps to know nothing about before viewing. To read any sort of capsule about the flick would definitely take away from the enjoyment of the film.
Having said that, I am not totally satisfied with the payoffs the movie provides. There are too many gaps in logic, combined with a bit too much moralizing. Some people find themselves in situations in this film that just simply seem to lack any credibility.
For some fascinating sequences (most notably, one that takes place in a shower and seems to have been seen by Alfred Hitchcock) this film is definitely worth a look-see.
For me, the individual elements of the film was far more interesting than the sum of its parts.
- scootmandutoo
- 17 mar 2006
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- La séptima víctima
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 11 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was La settima vittima (1943) officially released in India in English?
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