VALUTAZIONE IMDb
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaIn 1922, a would-be classical composer gets involved with people putting on a musical revue.In 1922, a would-be classical composer gets involved with people putting on a musical revue.In 1922, a would-be classical composer gets involved with people putting on a musical revue.
Paul Hurst
- Milkman
- (scene tagliate)
Maceo Anderson
- One of the Four Step Brothers
- (non citato nei titoli originali)
Charles Arnt
- Author with Letter
- (non citato nei titoli originali)
Buddy Banks
- Clarinet Player
- (non citato nei titoli originali)
Oliver Blake
- Bigelow - Author
- (non citato nei titoli originali)
David Bond
- Greenwich Villager
- (non citato nei titoli originali)
Tiny 'Bam' Brown
- Double Bass Player
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe Revuers (Betty Comden, Adolph Green, Judy Holliday and Alvin Hammer) received billing (as a group), but their one musical number, "The Baroness Bazooka," was cut from the release print. Their remaining roles are little better than extras.
- BlooperThe opening narration on the bus claims that George Gershwin was one of those legendary talents who got his start in Greenwich Village, but in 1922, when this film supposedly takes place, Gershwin was just starting out.
- Citazioni
Princess Querida O'Toole: Would you like to take advantage of me?
- ConnessioniEdited into Carmen Miranda (1969)
- Colonne sonoreI'm Just Wild About Harry
(uncredited)
Music by Eubie Blake
Lyrics by Noble Sissle
Performed by Carmen Miranda
Recensione in evidenza
It amazes me that other postings about films are so critical of movies intended to be entertaining fluff, for being fluff.
And trite? What movie today isn't a rehash of something already done over and over again?
Musicals of the time weren't intended to be "South Pacific" or "Oklahoma". The plots were devised to be excuses to have music or dance performances or comedy bits. You probably noticed that the plots are mostly "backstage" stories and the characters portrayed are singers or dancers.
Technicolor is always pleasing to the eye, and so are the performances of Vivian Blaine and Carmen Miranda in this film.
So just sit back and enjoy.
And trite? What movie today isn't a rehash of something already done over and over again?
Musicals of the time weren't intended to be "South Pacific" or "Oklahoma". The plots were devised to be excuses to have music or dance performances or comedy bits. You probably noticed that the plots are mostly "backstage" stories and the characters portrayed are singers or dancers.
Technicolor is always pleasing to the eye, and so are the performances of Vivian Blaine and Carmen Miranda in this film.
So just sit back and enjoy.
- timothymcclenaghan
- 10 lug 2007
- Permalink
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Dettagli
- Tempo di esecuzione1 ora 22 minuti
- Proporzioni
- 1.37 : 1
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By what name was Samba d'amore (1944) officially released in India in English?
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