VALUTAZIONE IMDb
6,0/10
2342
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA dedicated American reporter in 1930s Japan is determined to expose that government's plan for world domination.A dedicated American reporter in 1930s Japan is determined to expose that government's plan for world domination.A dedicated American reporter in 1930s Japan is determined to expose that government's plan for world domination.
- Vincitore di 1 Oscar
- 1 vittoria in totale
Philip Ahn
- Secret Police Capt. Yomamoto
- (non citato nei titoli originali)
Hugh Beaumont
- Johnny Clarke
- (non citato nei titoli originali)
Edward Biby
- Bar Patron
- (non citato nei titoli originali)
Oie Chan
- Chinese Servant
- (non citato nei titoli originali)
Oy Chan
- Chinese Servant
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizAccording to the DVD sleeve notes, prior to production James Cagney trained intensively in the martial art of judo in preparation for his role. He trained under Ken Kuniyuki, who was a 5th Degree Judo Master. Cagney insisted that he perform his own stunts. He said in his memoirs, "I grew so fond of judo I used it to keep in shape until a back injury I picked up doing something else put me on the sidelines." Moreover, another instructor for Cagney was former LAPD policeman John Halloran, who plays the role of Capt. Oshima and can be seen in the closing fight sequence. Apparently Halloran quit the LAPD after FBI agents investigated him because he was an expert in judo.
- BlooperIn the opening credits, the copyright is "MCMLXV." which is 1965. The film was produced in 1945, so the copyright should read "MCMXLV."
- Citazioni
Iris Hilliard: Japanese women aren't allowed to think. It's against the law.
- Versioni alternativeAlso available in a computer-colorized version.
- ConnessioniEdited into Your Afternoon Movie: Blood on the Sun (2023)
Recensione in evidenza
Nicely done war thriller with Cagney as a suave but pugnacious newspaper reporter in Japan who comes into possession of secret war plans. The plans are the work of a fascist Baron Tanaka who pushes the war agenda for the right-wing militarists over the objections of those opposed to war. The characters are interesting, and while many are static yet well-played, quite a few others are nicely fleshed out and grow during the plot. Cagney, some of the newspapermen and the female spy have some plot movement to develop their characters with. Even the villains, who could easily be cardboard, are well-played and exhibit human motivation. Obviously this is not a documentary, but it's also not pure melodrama either.
Perhaps the most visually interesting areas of the film are the contrasts between beautiful, high-class modernist settings, a representation of more traditional Japanese architecture, and gritty realistically-dressed street scenes. All the more interesting that the good production and pretty sets were created in Hollywood backlots in 1945 during the war. While this is not a huge film, the production design is as good as anything from the golden age. There is a lot of eye-candy in the set design, tastefully filmed and a treat to view.
The politics and cultural sensitivities of the film are also fascinating and far more balanced and subtle than other reviewers seem to indicate here. Cagney's character is well-immersed in Japanese culture and aware of the social issues of the time. He speaks Japanese, in addition to Chinese, and is a highly-skilled Judo aficionado. The film portrays Japanese opponents of the war as well-meaning but fairly easily countered by ruthless militarists and their secret police which is likely generally accurate. Surely similar struggles played out in Nazi Germany and Fascist Italy, along with Stalinist Russia, Mao's China and other 20th century totalitarian dictatorships both right and left.
This film is not anti-Japanese; it's anti-Fascist. Those who claim to be unaware of the difference would imply that Japanese are Fascists. That would be unfortunately ignorant.
Perhaps the most visually interesting areas of the film are the contrasts between beautiful, high-class modernist settings, a representation of more traditional Japanese architecture, and gritty realistically-dressed street scenes. All the more interesting that the good production and pretty sets were created in Hollywood backlots in 1945 during the war. While this is not a huge film, the production design is as good as anything from the golden age. There is a lot of eye-candy in the set design, tastefully filmed and a treat to view.
The politics and cultural sensitivities of the film are also fascinating and far more balanced and subtle than other reviewers seem to indicate here. Cagney's character is well-immersed in Japanese culture and aware of the social issues of the time. He speaks Japanese, in addition to Chinese, and is a highly-skilled Judo aficionado. The film portrays Japanese opponents of the war as well-meaning but fairly easily countered by ruthless militarists and their secret police which is likely generally accurate. Surely similar struggles played out in Nazi Germany and Fascist Italy, along with Stalinist Russia, Mao's China and other 20th century totalitarian dictatorships both right and left.
This film is not anti-Japanese; it's anti-Fascist. Those who claim to be unaware of the difference would imply that Japanese are Fascists. That would be unfortunately ignorant.
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- Blood on the Sun
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- Tempo di esecuzione1 ora 34 minuti
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- Proporzioni
- 1.37 : 1
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By what name was Sangue sul sole (1945) officially released in India in English?
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