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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaBeautiful, biracial Pearl Chavez becomes the ward of her dead father's first love and finds herself torn between two brothers, one good and the other bad.Beautiful, biracial Pearl Chavez becomes the ward of her dead father's first love and finds herself torn between two brothers, one good and the other bad.Beautiful, biracial Pearl Chavez becomes the ward of her dead father's first love and finds herself torn between two brothers, one good and the other bad.
- Candidato a 2 Oscar
- 1 vittoria e 4 candidature totali
Griff Barnett
- The Bordertown Jailer
- (non citato nei titoli originali)
John Barton
- Party Guest
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizAccording to King Vidor, director Josef von Sternberg was hired only as a lighting expert by David O. Selznick in order to give his wife--and the film's star--Jennifer Jones a more glamorous look.
- BlooperThe opening shows saguaro cacti in the valley. The film is supposed to take place in Texas, but southern Arizona is the only place in the US with saguaro cacti, unless they've been transplanted.
- Citazioni
The Sinkiller: Under that heathen blanket, there's a full-blossomed woman built by the devil to drive men crazy.
- Versioni alternativeThe original "roadshow" version ran 144 minutes. The additional 16 minutes, over the commonly-shown 128 minute version, consisted of a musical "prelude," an "overture" (which contained a spoken prologue, by Orson Welles), and exit music, but no additional scenes in the film. The two additional opening sequences were each inadvertently given the other's label.
- ConnessioniEdited into Histoire(s) du cinéma: Une histoire seule (1989)
Recensione in evidenza
The restored "Road Show" DVD of David O. Selznick's production of "Duel in the Sun" is a most impressive experience. What this restoration has done is to place the viewer back to 1946 at the premiere itself.
Selznick's vision was huge, romantic, and sumptuous. He had the means to spare no expense or effort in realizing this grandiose concept. The result is a sweeping drama set in the west, yet rising above the normal trappings of most movie westerns.
First a trio of photographers headed by the peerless Lee Garmes, and assisted by Ray Rennahan and Hal Rosson, provided a rich and colorful canvas of romantic artistry and beauty. Then a screenplay by producer Selznick emphasized the Gothic and overripe emotions with great relish. If you're going to do it, do it, was the attitude. Let the trash explode on the screen. Added to this formidable group of artists came director King Vidor, beautifully directing a carefully chosen and extremely talented cast, and creating some magnificent and memorable set pieces.
Lastly came the legendary composer, Dimitri Tiomkin, crafting a superb score, exuding the pent up and released emotions of the characters and painting the hot and sultry essence of the desert setting. The way to fully experience the Selznick vision is to take the time to position one's self before the DVD monitor, adjust the sound volume to near peak level, and absorb the score from the first note of the 15-minute Prelude, the 5-minute Overture, through the 144-minute drama, and continue until the final, crashing chord of the 5-minute Postlude (Exit Music). Only then will the true meaning and power of "Duel in the Sun" be realized.
It's a one-of-a-kind film work, and a lasting tribute to that mad, disorganized, titanic and great genius of film production, Selznick.
Selznick's vision was huge, romantic, and sumptuous. He had the means to spare no expense or effort in realizing this grandiose concept. The result is a sweeping drama set in the west, yet rising above the normal trappings of most movie westerns.
First a trio of photographers headed by the peerless Lee Garmes, and assisted by Ray Rennahan and Hal Rosson, provided a rich and colorful canvas of romantic artistry and beauty. Then a screenplay by producer Selznick emphasized the Gothic and overripe emotions with great relish. If you're going to do it, do it, was the attitude. Let the trash explode on the screen. Added to this formidable group of artists came director King Vidor, beautifully directing a carefully chosen and extremely talented cast, and creating some magnificent and memorable set pieces.
Lastly came the legendary composer, Dimitri Tiomkin, crafting a superb score, exuding the pent up and released emotions of the characters and painting the hot and sultry essence of the desert setting. The way to fully experience the Selznick vision is to take the time to position one's self before the DVD monitor, adjust the sound volume to near peak level, and absorb the score from the first note of the 15-minute Prelude, the 5-minute Overture, through the 144-minute drama, and continue until the final, crashing chord of the 5-minute Postlude (Exit Music). Only then will the true meaning and power of "Duel in the Sun" be realized.
It's a one-of-a-kind film work, and a lasting tribute to that mad, disorganized, titanic and great genius of film production, Selznick.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Duel in the Sun
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 8.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 20.408.163 USD
- Lordo in tutto il mondo
- 20.428.771 USD
- Tempo di esecuzione2 ore 26 minuti
- Proporzioni
- 1.37 : 1
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By what name was Duello al sole (1946) officially released in India in English?
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