Un giocatore d'azzardo, da poco assunto per lavorare in un casinò di Buenos Aires, scopre che la nuova moglie del suo capo è la sua ex amante.Un giocatore d'azzardo, da poco assunto per lavorare in un casinò di Buenos Aires, scopre che la nuova moglie del suo capo è la sua ex amante.Un giocatore d'azzardo, da poco assunto per lavorare in un casinò di Buenos Aires, scopre che la nuova moglie del suo capo è la sua ex amante.
- Premi
- 1 vittoria e 1 candidatura
- Gabe Evans
- (as Robert Scott)
- Thomas Langford
- (as Don Douglas)
- Newsman
- (non citato nei titoli originali)
- …
- Gambler
- (non citato nei titoli originali)
- Nightclub Patron
- (non citato nei titoli originali)
- Blackjack Dealer
- (non citato nei titoli originali)
- Girl at Carnival
- (non citato nei titoli originali)
- Gambler
- (non citato nei titoli originali)
- American Cartel Member
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThere is a rumour that this film is the only time Rita Hayworth's real singing voice is heard, but that is not true. According to the bonus features from the DVD, Hayworth actually never recorded her own singing voice and was a talented lip-syncher. Anita Ellis dubbed almost all of her singing in this film. Hayworth always wanted to do her own singing, and Columbia Pictures chief Harry Cohn paid for her voice lessons, but she never developed a voice he considered strong enough to be used; Hayworth remained bitter about that for the rest of her life.
- BlooperWhen Farrell asks to cut the deck at the blackjack table, he shuffles the deck prior to the cut; this is not allowed.
- Citazioni
Gilda: You do hate me, don't you, Johnny?
Johnny Farrell: I don't think you have any idea of how much.
Gilda: Hate is a very exciting emotion. Haven't you noticed? Very exciting. I hate you too, Johnny. I hate you so much I think I'm going to die from it. Darling...
[they kiss passionately]
Gilda: I think I'm going to die from it.
- ConnessioniEdited into Sogni perduti (1968)
Glenn Ford is the anti-hero of this excellent Noir portrait of double-crosses, jealousy, and forbidden love. He has many flaws, not the least being his infatuation of Gilda. Director Charles Vidor looked as though he was trying to capture a CASABLANCA-esque feel with the casino in Buenos Aires and people of all walks of life toiling within. There are even some familiar head nods at a roulette table. This is no CASABLANCA, but the end of WWII is somewhere in the backdrop and the stoic "Ballin Mundson", played by George Macready (PATHS OF GLORY), seems to have some foreign matters happening on the side, like "Victor Lazlo". The crisp black and white cinematography is effective, especially in the casino where 2/3 of the film takes place.
GILDA is all Hayworth and, whether you are a male or female viewer, you see a good performance. She is great to look at, but her dramatic scenes are equally great to see. GILDA is an all-time classic that ranks with MALTESE FALCON and DOUBLE INDEMNITY. Throughout the picture, the blame is put on Rita for most of the plot's turning points. There may just be someone as sweet as her flowing red hair inside waiting to come out. Glenn Fords' Johnny Farrel (perfect name for Noir character) cannot look past her deceiving flirtation and realize that the bad guy is right in front of him. Another triumphant film of the 1940's that works every time, GILDA is Rita Hayworth's claim to fame and sent her into the stratosphere as a star. She was more than just a pin-up.
RATING: 9 of 10
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 5.999 USD
- Tempo di esecuzione1 ora 50 minuti
- Colore
- Proporzioni
- 1.37 : 1